Oresteia Essay

Frans de Waal states that human morality is based upon five main factors; reciprocity, justice, fairness, empathy, and compassion. He names them the pillars of morality whose components are essential and without them we’d see a lack of human decency. Oresteia by Aeschylus displays the horrors that ensue when we break de Waals pillars. The main plot of this trilogy is revenge killing. History of the Peloponnesian War by Thucydides revolves around power hungry nations that will do anything to grow and be

concept of vengeance is indicated in several Greek plays. The concept of vengeance is demonstrated in Aeschylus’s Agamemnon, Euripides’ Medea, and Homer’s The Iliad and the Odyssey. Aeschylus’s Agamemnon is the first installment of Aeschylus’s The Oresteia, that begins the cycle of vengeance with the murder of Agamemnon. “Despite the stigma of vengeance, it’s as natural to the human species as love and sex. In art and culture, everyone roots for the

The Oresteia trilogy, including the tragedies Agamemnon, The Libation Bearers, and The Furies, explores the theme of revenge on most of the characters. These plays contain a strong sense of brutality against civilians because there were lots of slaughtering within the house of Atreus. The decision of Agamemnon sacrificing his youngest daughter, Iphigenia as a stepping stone to travel and conquer Troy provoked the death of several others throughout the play. Agamemnon clearly faces a dilemma between

different. People took matters in their own hands. There was no judge, jury, prosecutor or defendant in Ancient Greece. Individuals acted as executioners based on their own predilections on how justice should be administrated and on whom. In the Oresteia, Aeschylus praises the substitution of such blood vengeance system with trial by jury, which according to him was a more civilized and equitable system. In that matter, I must agree with Aeschylus and argue that jury by trial is a far more civilized

When it comes to adapting an existing story, we must first look at what literary adaptation is. Literary adaptation, is the adapting of a storybook source, such as a novel, short story or poem, to another genre or medium such as a film, stage play, or video game. It can also involve adapting the same literary work in the same genre or medium, just for different purposes. For instance, maybe to work with a smaller cast, in a smaller setting, or even for a different demographic group, such as adjusting

had more freedom to ‘misbehave,’ and did not get the same treatment as women. Evidence for unequal treatment over sexuality is consistently found in texts coming from diverse areas and times, depicting how this was a widespread phenomenon. The Oresteia, for example, depicts the difference in expectations over sexual desires. Clytemnestra was negatively judged and accused for her relationship with her lover Aegisthus, being portrayed as an unfaithful wife and adding to the list of her characteristics

“good” and “bad” wife is rather blurryand the distinction between husband-killing monster and devoted, faithful wife is not as clear-cutas one might expect.The major works in which Penelope and Clytemnestra appear are Homer’s Odyssey andAeschylus’ Oresteia, particularly the Agamemnon. One of the first things to notice about theseworks is that they were both written by men, for men. Given the ancient Greek context, this is arather obvious observation, but it deserves to be pointed out because it should

TITLE OF WORK- The Orestia (a trilogy containing the first book: Agememnon, the second book: The Liberation Bearers, and the third book: The Eumenides) AUTHOR’S NAME- Aeschylus DATE OF PUBLICATION: The Orestia was first performed as a play in 458 BC, but was translated and published in 1900 by George C W Warr GENRE- History CHARACTERISTICS IT DOES/DOESN’T MEET- It refers to the Trojan war, which we know had occurred. It also includes historical figures such as King Agamemnon and his wife, Queen

Justice in the Oresteia Aeschylus, an ancient Greek playwright, explores justice in his Oresteia trilogy, including Agamemnon, The Libation Bearers, and The Eumenides. The concept of justice is multifaceted, influenced by human and divine perspectives. This paper examines Aeschylus' portrayal of justice, its evolution, character perspectives, societal consensus on just actions, and his beliefs about objective moral truths or cultural relativism. The paper argues that Aeschylus's Oresteia trilogy reflects

Agamemnon: Foster Father Agamemnon is a mortal incarnation of Zeus, acting as a father figure to Achilles, who was almost born Zeus’ son, but was born mortal due to a prophecy that Achilles would be greater than his father. In book 19 it is visible how Agamemnon’s position as a substitute father figure for Achilles is relevant to his actions throughout the book when Agamemnon says “I am not to blame, Zeus is, and the Fates, and the Dark Avenger”. (19.100) Agamemnon is not his own person, but