Sculpture Essay

color. Firstly, the lines of the sculpture consist of thickly curved, swirled, and smooth lines. The lines add definition and dimension to the body of the sculpture. For example, the thick curved lines bring out the masculinity of the man that is observed on his chest, arms, glutes, back, legs, toes, and fingers. Additionally, the thick curved lines add dimension to his facial features. Furthermore, the swirled lines exhibit movement of the hair on the sculpture. Moreover, the smooth lines observed

Media Analysis This both sculpture is of a man, one is looking at a direction, while one is in the middle of a swinging motion. Both sculptures is are made of marble. Marble is “metamorphic rock derived from limestone, composed mostly of calcite”. Back then marble was commonly used in a lot of the sculptures that were made. In the Michelangelo sculpture of David, he is holding something in the lower shoulder, looking at a certain direction. In the Gianlorenzo sculpture, David is holding a weapon

the period of when the sculpture created. The medium of this artwork is mid-fire clay, oxidation, multiple fired, engobe, oxide mixes and the sculpture is in the round so it can be observed from different angles. The piece is a human head only with what look like a temple with a pointy top. The sculpture is from the head to the neck and seems to be on four little wheels. The head has a hint of the color blue in it especially around the collar of the outfit on the sculpture. The architectural on top

Trechelle Monroe Final Project: Art Timeline Sculptures from the 18th-20th Century February 23, 2012 Fig 1 1905 Mediterrane Aristide Maillo, French Sculpture Musee d’Orsay, Paris This sculpture falls in the modern art category and the style is abstract expressionism. This sculpture is very large it is actually 110cm. The artist that created this sculpture was one of the many fine French Sculptors, he was one of the younger generation who started out as a Symbolist painter as well as

culture and the environment.” (Beaver Galleries, 2015) Jenny Orchid used the media’s of clay and metal to create the sculpture as well as distinguishing forms and shapes, patterns, bold lines, geometric decorations, hard edges, and soft colours. In the sculpture the subject that has appeared to give the impression of a female figure in a portrait shaped canvas. This sculpture has been arranged geometrically using cylinders, cones, hemispheres and other appendages. The shapes are arranged up and

1975. Hepworth moved to St Ives at the beginning of World War 2, 1939. She is described as a world-recognised sculpture in a period where female artists were rare. She grew a love and passion for her natural surroundings in her new found home. Barbara Hepworth created her sculptures with passion, “I have always loved the joy of carving, and the rhythm of movement which grows in the sculpture itself, just as I like dancing or skating. I like the relaxation of sound and movement when I am carving.”

My favorite three-dimensional sculpture is Diminish and Ascend by the artist David McCracken. This beautiful and amazing sculpture looks like a stairway to heaven, reaching over the edge of a cliff and reducing in size as it rises to what seems like infinity. When in reality it is a staircase that you couldn’t climb, literally or figuratively. Even so, the staircase is an eye-catching piece that will make it viewers stop to look, while also making imaginations start and minds wonder. Diminish and

ARHS-1020-01 New Orleans Museum of Art Sculptures The Sydney and Walda Besthoff Sculpture Garden, part of the New Orleans Museum of Art, contains several dozen 20th century and 21st century sculptures from across the globe. The five-acre garden mostly features figures from American and European artists, most of them being created within the past 70 years. Surrounded by the beautiful landscape of City Park, many impressive works are presented at the sculpture garden. However, two particular works

evoke the power within (The Met). These sculptures were created together by sculptors and the ritual specialists. This work of art belongs to the motivated class

body of sculpture at Iowa State University. Most of his techniques to make sculptures were done by using clay or plaster. One of the processes he replicated the artwork was by pouring the plaster over the pattern that he was trying to make, and then he shook the unit to let the plaster fills any small features. Afterwards, he let the plaster sets and the pattern is ready to be removed. Although, the used plaster cannot be reused, however, Petersen chose to use plaster to make sculptures are because