Twelfth Night Deception Essay

S2 Answer #1 - Paradise Lost: The epic simile in Book 1, ll. 196-208 of Milton’s Paradise Lost, conditions the reader to first be afraid of Satan’s physicality before inspiring an equally disturbing fear of the unknown. Keeping with tradition, this epic simile starts by likening Satan to infamously large creatures across multiple lines by making allusions and analogies to stories from ancient mythology. For example: Titanian, or Earth-born, that warred on Jove, Briareos or Typhon, whom the den

Throughout the play, in defiance to the stereotypical role that women are passive, Cecily shows traits of being direct and forward with her emotions and her desires. When Algernon confesses his love to her, she says “You silly boy! Of course. Why, we have been engaged for the last three months” (32, Wilde). When Algernon asks her how they became engaged and how it was settled, Cecily answers saying “On the 14th of February last. Worn out by your entire ignorance of my existence, I determined to

In A Midsummer’s Night Dream, love is represented in many ways, but the overall representation of love is how fake and sophisticated it is. We can see in the play that love isn’t a conscious choice but a cruel game. The characters perfectly display how sophisticated and powerful love is, yet it is also confusing. Specifically, the relationship between Theseus and Hippolyta has no pure love involved in it. Theseus had to capture the Amazons in order to marry Hippolyta, which means he doesn’t have

In this instance, Laura expresses that she has no money, so the goblin compromises with her and instead he accepts a lock of her hair—her very being—for the fruit in which he was selling. This instance is representative of the commodification of women in the Victorian Era, where a women’s worth was reliant on how much money and status she could marry into. Moreover, Laura’s digression into just how poor she mirrors women’s inability to work in Victorian society without the disdain that entailed independence

It is often said the surest cure for vanity is loneliness. This saying is proven true in Twelfth Night by William Shakespeare. Within the story, a prodigious love triangle is created between the characters. The wealthy Duke Orsino loved the wealthy, young heiress, Olivia. Olivia later fell deeply in love with the Duke’s servant, Cesario. Olivia was not aware that Cesario actually was a woman named Viola. Viola dressed as a man to make it easier to obtain employment. Viola grew fond of Duke Orsino

In the play Twelfth Night, Shakespeare plays with the notions of doubling and identity to create an overlying comedic composition. Shakespeare was known to use gender as a subject in his comedies, and Twelfth Night is no different. Each of the characters is developed by one or more of these literary devices to create unique storylines and plot twists, and there are many instances in which the cultural norms of gender roles and attractions are tested. Many critics, in particular Northrup Frye, would

In Twelfth Night, a lady loves a young man who is actually a young woman who is serving a duke who arrests a pirate who aided a man who marries a lady whose servant is a partier who marries a drinker who steals a simple knight’s money. It appears that everyone in this play is deceived or self-deceived in one way or another. The audience feel a kind of schadenfreude as they watch the calamities of the characters as they are virtually obscured by confusion. However this theme, as amusing as it may

Orsino’s relationship with Cesario throughout Twelfth Night offered novel comments on an extremely heteronormative society, while still retaining humor and without offending the audience. Orsino and Viola/ Cesario exhibit a love that questions gender and the role it plays in who we choose to love. Cesario (who is really Viola in disguise) is a eunuch in the court of the Duke. Originally, this plan was devised to give time to see if Sebastian remained alive or if her brother was lost at sea, however

William Shakespeare’s Twelfth Night; or, What You Will, performed in 1602, includes many characters who assume different identities and personalities through the use of disguise. Shakespeare uses disguises, masks, and mistaken identities to create confusion, internal conflicts, and add a comical nature to the play. Disguise also illustrates that one’s appearance is only an illusion. Disguise can probe to symbolic in a way that lets readers explore the lack of reality that is evident when keeping

“Better a witty fool than a foolish wit.” Was said in act 1 scene 5 by Feste the fool of the play, Twelfth Night. In the Twelfth Night Shakespeare demonstrates several comedic elements in minor and major ways. Three of the major elements will be covered today. Clever word play, mistaken identities, and plot twists. In act 1 scene 5 Olivia and Feste demonstrate word play. “Take the fool away!” (Olivia) “Do you not hear, fellows? Take away the lady.” (Feste) This was one of my favorite