Acting

talented crew and cast members, brought this popular and comical play to life in Theater 50 of American High School. Although there were limitations imposed by the fact that the play was a high school production, the realistic set and professional acting outweighed the restrictions, successfully fulfilling the play’s purpose of entertaining the audience. Scenic director, Troy River, and stage manager, Tara Habibi, established the setting of the play through the set and the usage of props. The location

planning to sabotage the trails so that Woraugcould win ,become king and give the King’s Crystal to the wizards so they could find all of the most magical treasure.In addition athough Cimorene had run away from home to get away from being proper and acting kind to those that she did not feel fond of for example Therindal,she did in fact act very princess like when she was the of Kazul, the dragon. In addition to the novel “Dealing with Dragons” there was an argument on whether Cimorene acted in

and high school music and fine arts teacher as well as an actor, dancer and singer. I had no opportunity to be formally trained in acting and singing. I learned to sing, dance and act from private tutors. However, I 've always desired to be trained at a world-class acting school. I grew up in a family of artists. My parents were singers and musicians. I began acting in shows during elementary school. As an adult, I acted in community and regional theaters. I performed in Urdu and Punjabi languages

will be less likely to intervene. Despite our intentions and self-serving biases, most of us are susceptible to the effect. Our vulnerability to the bystander effect is exhibited in this dramatic and disturbing video. The video depicts a young girl acting as a victim in a staged abduction by an older man while yelling “let go of me, you’re not my dad!” Throughout the video, we see the girl’s mother watching the reaction- and lack of reaction- of each of the passersby as they witnessed her daughter

Today we began class by discussing the chapters four and five from Uta Hagan’s Respect for Acting. We sat in a circle and talked about what emotional memory and sense memory are and how an actor implements them while acting. Then, we all laid down, held our objects that are attached to our emotionally significant event on our stomachs, and closed our eyes. Professor Kitsos-Kang instructed us to slowly remember and feel the sensations of our emotionally significant event, what we saw, smelt, heard

”Never confuse the size of your paycheck with the size of your talent.”-Marlon Brando. This is very true when it comes to supporting actors. Many times the supporting actors will get payed less than the lead actors, of course there are exceptions to that case, but for the most part that is true. The funny thing is, you can’t tell the story without other characters. Just think about the movie Cinderella, she wouldn’t have been able to go to the ball or meet the prince unless her fairy godmother a

Acting with Choice We’re most likely all familiar with going to work or school and being told this is what you’re going to do, how to do it, who you’re going to work with, and when you’re going to do it. Now imagine having control over those aspects laid out before you. This is what autonomy is, having freedom over outer control. Autonomy feeds type 1 behavior. Type 1 behavior is “our inherent need to direct our own lives, to learn and create new things, and to do better for ourselves and our world”

Chris Phillips Professor Kirkpatrick English 1C March 31, 2010 Hollywood Illusions In The Day of the Locust by Nathanael West, illusion verse reality is one of the main themes of the novel. Hollywood is known for it’s acting, but the town and everyone that inhibit it seem to get carried away with trying to be something they aren’t. Nothing is really indigenous in Hollywood and everything is borrowed from another place. The houses have been designed to look like Irish cottages, Spanish villas, or

determine his father’s murderer. "The play's the thing wherein I'll catch the conscience of the King." MacDonald did a decent job getting the plot across but some word needed to be done on all parts of the production including but not limited too; the Acting, the actors/actoresses and the setting/stage. The setting, props, and stage were less than stellar but it is understandable with the available resources. In a high school gymnasium you will not be able to mimic a Broadway play. That being said the

the product that the Philippine Telenovela Industry is offering-Teleseryes should be performed. Furthermore, the following are the researchers’ recommendation for improvement on the elements of Teleseryes which is aligned with the study’s results. • Acting Skills of Actors/Actresses and Dependence on Actors/Actresses- Teleseryes should ensure that the Actors and Actresses in the Teleseryes have undergone rigorous training in order to enhance his/her skills before debuting a role. Regardless of their