Agamemnon

his play Agamemnon, Aeschylus initially invites the audience to sympathize with both Clytemnestra and Cassandra. While the sympathy towards Cassandra remains throughout the play, Clytemnestra's does not. Contradictorily, the audience is not invited to be sympathetic towards Agamemnon in the beginning, but this changes over the course of the play. At first, Aeschylus invites the audience to sympathize with Clytemnestra, but this changes as the play progresses. In the beginning of Agamemnon, Clytemnestra

commonality and was seen as an acceptable compensation for winning a battle. So while Agamemnon had the right to take away Achilles’ prize, as he was his leader, Achilles had every right to be angry and frustrated. Agamemnon proves repeatedly that he is a greedy, shameless, and ungrateful leader, who takes advantage of his warriors and refuses to do any real work on his own, by relying on the men to carry out his battles. Agamemnon is a greedy and insatiable leader to the Achaeans. He believes that his men

In the world in which Agamemnon takes place, warfare and masculinity could be considered the most emphasized aspect of its society. Due to this, women are usually give the role of caretakers and grievers, and are excluded from decision-making processes. In short, the woman’s role in Agamemnon is that they simply provide emotional support following warfare, and becoming trophies to other warlords are the only aspect of warfare they are involved in. There are characters throughout this play that subvert

Throughout layers of themes in The Agamemnon Aeschylus taints the reader's opinion of the justification of Agamemnon’s and Cytemnestra’s actions. His opinions are shown through the chorus and Cassandra, all supporting the fact that the two characters were irresponsible making their decisions unjust. While the character's circumstances are easily debatable, none of their sins were justifiable. Clytemnestra’s course of actions after her daughter was killed is surprising to the Chorus and the reader

have been needlessly overwrought, the dishonor shown towards Achilles is blatant. Disrespect would never be something attempted by Hector. He does not see himself as any better than the men he leads, while Agamemnon bullies and manipulated to make sure everyone remains aware of who's boss. Agamemnon took offense to every slight brought against him by friends or advisors attempting to aid their king in his actions. Nothing of the sort is necessary in the case of Hector, for he leads justly. When a recommendation

This book takes place many years after King Agamemnon has been murdered by his wife Clytemnestra and her new lover Aigisthos. Orestes returns back to his home to mourn at the grave site of Agamemnon. Orestes, who has been living in exile has been sent by an oracle of Apollo, to head to Argos. The point of Orestes getting out of exile is for vengeance of the Agamemnon murder. Apollo threatens Orestes by voicing he will go back into exile, if he does not do the job he has been told to do. Orestes

Agamemnon 1. The Argos were deeply insulted by Troy. How is that sense of insult expressed and described in the play? See lines 40-80, 355-435, 810-829. The city of Argos was highly insulted by Troy as Argos was ruled under the hospitality for welcoming strangers. Therefore, when Paris came to abduct the Helen, wife of Menelaus and the brother of Agamemnon (Ruler of Argos), the Argos were insulted. Strangers who visited Argos were greeted with a warm welcome. Agamemnon is guided by Zeus so hosts

Agamemnon sees himself in control and plans to stay in control. Lastly, it is certain that both Achilles and Agamemnon attain power. Agamemnon 's power lies in his control over his country while Achilles power rests in his physical strength and courage. Though Achilles and Agamemnon share similarities and differences both of their personalities strive for the same goal which inevitably is the

members turn against each other, including Agamemnon himself. However, the betrayals in Oresteia are not betrayals committed purely out of hatred. Vengeance plays an important role in Clytemnestra’s murder of her husband, and Orestes murders his mother out of vengeance, not simply because he wants to. Since the different family members betray each other out of spite, Orestes cannot be considered the hero of the story. Orestes does avenge his father, but Agamemnon was not innocent, and Clytemnestra’s actions

In the trilogy The Oresteia, Aeschylus shows the never ending cycle of violence within the house of Atreus. The cycle acts as a “net” entrapping Agamemnon, Clytemnestra, Orestes, and many other characters and producing actions throughout the play that provoke the audience to contemplate right versus wrong, self-help justice (in the form of revenge) versus justice by trial, and honor versus dignity. Although the events taking place throughout the play are outlandish, the audience can still look at