Anita desai

Rhetorical Devices Examined in Seabiscuit: An American Legend How does a scrawny, bitter, and lazy horse become the champion of 33 races and holder of 13 track records? A heroic symbol to the United States, Seabiscuit was the epitome of how persistence, courage, and dedication are enough to transform an underdog into a victorious winner. During the 1930s, when America was still in the grip of the Great Depression, Seabiscuit managed to capture the nation 's imagination and unite the country. With

As they neared the finish line all three horses were neck and neck. None of the horses were willing to back down and none were giving an inch. In the middle of the three horses was Seabiscuit running at full speed. But the other horses were running their hardest too. Then it happened, what Red, the jockey, had feared. The space between the two horses was just barely enough for them to go through. As Red asked Seabiscuit for his very best, and with the tip of Red’s whip, Seabiscuit lunged forward

disaster. Her extreme sensitivity is explained in terms of unfathomable loneliness. Maya cries for love and understanding in her loveless marriage with Gautama. Women writers of all ages have a natural preference for writing about women characters. Anita Desai is no exception in so far as she has written by women characters. Most of her novels move around women characters. She is preoccupied with the theme of incompatible marital couples. We come across different kinds of women characters in her novels

CONGUGAL CACAPHONY IN ANITA DESAI’S NOVELS Suneeta Upadhyay, Research Scholar M.M.H. college, Ghaziabad, C.C.S. University, Meerut Indian novelist and short story writer, Anita Desai is specially noted for her insightful depiction of the inner life of the female characters in her writings. In most of her novels Anita Desai dwells on the themes incongruity, incertitude and hazards of human relationship particularly the man-woman relationship. D.H. Lawrence points out: The great relationship

CHAPTER-3: CONCLUSION Anita Desai stands apart from other female Indian writers due to her involvement with the life of young men and women in Indian cities. She discards all social concerns and asserts that she is interested in individual and not in social issues. She is concerned with psychic life of her characters. Her concern is the ‘why’ and the wherefore of the external action rather than the action itself. Her forte is the exploration of mind and soul and not the body.

in his relationship with his father. The father feels neglected by his family because they no longer respect his wishes. To Rakesh, belief in protecting his family from the ills of society, despite their temptation, proves his dedication to family (Desai). Filial piety in the abstract is a good standard to live by, but it could lead to destruction because adhering to it removes emotions. In the beginning, the relationship between Rakesh and his parents was an admirable one. Rakesh considers his parents’

The novel is a study of feminine psyche. But here the canvas is bigger in and it includes both an old woman and a girl. The flash back techniques have been used but the novel focuses on the character of Nanda Kaul who is living in isolation, in a secluded bungalow in Kasauli along with a male servant. The novel makes use of symbolism, is used. The bare mountains terrain and a desert is burnt out. Bungalow at the hiss top fascinates Raka and symbolizes her emotionally void character which is a result

Conclusion This dissertation critically analyzed the issues related to identity, culture and empowerment in the representation of Diasporic experience in Anita Desai Bye Bye Blackbird (1985) and Jhumpa Lahiri The Namesake (2003). Diasporic writing is the outcome of variance between dislocation and relocation, a lost sense of belongingness and alienation, not only from the original home but also from the self. Almost all the Diasporic writers have exhibited an irresistible concatenation to their homelands

There is much image hunting and one often doubts if anything really meaningful is being done. But there are a number of good poets also, like Dom Moraes, Nissim Ezekiel, P. Lal, Kamala Das, A.K. Ramanujan and others. Have done, and are doing commendable work. Giving an estimate of contemporary Indo-Anglian Poetry Amalendu Bose writes. As a historical phenomenon, it is interesting that since 1947 a great deal of poetry has been written by Indians in English; that in both quality and quantity,

In the words of one modern critic VinayDubey, Love is an experience with various reactions on those who are in love. It plays role of mediator between mother and son, lover and beloved, husband and wife. It should be under any circumstances without any complexities. Love has two aspects – Subjective and Objective. Subjective love is something conscious and imaginative depending on individual point of view, but the objective love is the essence of love which is unconscious and spontaneous. In Indian