Anni Albers

Polanski's makes various intriguing and meaningful decisions to underscore the subjects of aspiration, culpability, and the corruption related to supremacy. From his unprecedented position, the most fascinating decision was the choice to give Francesca Annis the role of Lady Macbeth. Customarily, Lady Macbeth is a more established figure in the story, and her control over Macbeth is that of a solid willed spouse. Be that as it may, by making a 26-year old physically alluring woman perform Lady Macbeth

Macbeth, like any play, is open to interpretation by the performers. Each separate performance is unique. The different stylistic choices made in performances of the play change the way that viewers see the characters and events. This means that while the events of the Goold and Polanski films are the same, they tell us slightly different stories. It is interesting to look at the two films in terms of their faithfulness to, and their divergences from the original text, and the effects that these

all found on the third floor in mostly the modern and contemporary art section. To, help uncover the power of detail behind the artwork, I chose three pieces corresponding to abstract and abstract expressionism from artists Jackson Pollock, Josef Albers, and Eva Hesse to research and truly analyze. The first powerful example of abstract art and in this case, abstract expressionism, comes from Jackson Pollock. Paul Jackson Pollock was born in Cody, Wyoming, in 1912, to a family with four other sons

of the soul” being the main purpose (Josef Albers). Pure perception rather than expression both drives and defines true artistic projects. Extensive study “in the three provinces of form, material, and color provide a broad foundation for the widest variety of tasks” and specialization (Josef Albers). A true artist equips oneself with all of the necessary tools for growth and development. For him, “serious painting demands serious study” (Josef Albers). Thus, his conception of an artist requires

What is This Place? In 2016, Black Mountain College was recognized in two major exhibits as the creative genesis of art in America. Curator Helen Molesworth’s show, “Art of Our Time” at Los Angeles’ MOCA museum re-contextualizes the story of 20th century modern art in America, re-framing the common idea that it began in New York City. The Hammer Museum’s “Leap Before You Look”, developed first at the ICA in Boston and then taken to Los Angeles, reflects the sheer scale and relevance of art, performance