Anthony Minghella

"wants the things which belong to him" (Minghella, English).  The most significant irony comes near the end of the film when Almasy, on his deathbed, confesses to Carvaggio that he was responsible for Katharine's death (Minghella, English).  Almasy is overcome with grief in the cave when he tells Katharine "every night I cut out my heart, but in the morning it was full again," essentially saying his "organ of fire" consumed his every thought (Minghella, English).  He tells Carvaggio "she died

Count Lazlo Almasy, the English Patient, is a man in an Imperial time and world. The people in this world live by Imperial rules and perpetuate Imperial stereotypes. The film takes place in World War II era Africa, and as the film portrays it, in the mysterious and exotic Sahara desert and in Cairo, Egypt. Count Almasy’s character lives in the desert among imperial explorers and in the desert environment full of natives who bring to life classic stereotypes full of ignorance and white prevalence

The film Cold Mountain, directed by Anthony Minghella, is set during the American Civil War and tells the tales of two lovers, Inman and Ada. Inman is a strong, quiet and very moral country boy, very different to the higher class Ada, who herself does not fit in with Inman’s country lifestyle. Just as Inman and Ada realise their love for each other Inman is forced to fight for the South in the war, and Ada is left to look after herself. Inman then struggles to make his way back to his lover; and

Weaver, the protagonist Anthony Long a young and talented photographer is compelled to capture a revealing picture of his school teacher, Ms. Jenson by his friend Lance Hickerson. Anthony and Ms. Jenson having to face severe consequences after the release of the photograph divulges a deep secret. The author portrays the message of standing for what you believe is right, never feeling pressured to conform to the attitude, values of other individuals. This is shown through Anthony who chooses to conform

A Clockwork Orange, a novel written by Anthony Burgess in the 1960’s takes place in dystopian future in London, England. The novel is about a fifteen year old nadsat (teenager) named Alex who along with his droogs (friends) commit violent acts of crime and opts to be bad over good. In time, Alex finds himself to be in an experiment by the government, making him unable to choose between good and evil, thus losing his ability of free will, and being a mere clockwork orange. A “clockwork orange” is

Jarhead follows the journey of Anthony Swofford during his service in Middle East. Throughout his journey, Swofford presents a unique perspective on a variety of issues that indirectly affect American life and the “war” on terrorism. Some of the issues touched on include the mental stability and mentality of American soldiers, the influence of politics in the presentation of war, and the construction of a marine. Through these themes, along with the unique perspectives offered by the characters

Defies Reason through Faith St. Anthony was born in Lisbon, Portugal in 1195 A.D. He wanted to live his life above himself as to give meaning to his own life. St. Anthony chose to become a member of the Congregation of Canons Regular of St. Augustine at the age of fifteen. At the congregation, he dedicated his life to the practice of piety in the Monastery at Coimbra. While in the congregation, some of his fellow friars went to Morocco to preach the Gospel of Christ. In Morocco, the friars were

Hannibal Lecter's Identity and Ethos    Anthony Hopkins, as Hannibal raises a few interesting ideas about reality, identity and our perception of the serial killer. First of all, the movie would have never been made if Hopkins, had not agreed to do the sequel (Sterritt). Second, even though Hopkins, has taken on numerous roles, his memorable roles (besides as Hannibal Lecter) are not so villainous such as his characters in "Remains of the Day or "Shadowlands. In relation to this ethnography

     The theme of death is present in many works of literature. It is given metaphors and cloaked with different meanings, yet it always represents an end. Every end signifies a new beginning, and every death gives rise to a new birth. Physical death “...is mere transformation, not destruction,” writes Ding Ming-Dao. “What dies is merely the identity, the identification of a collection of parts that we called a person. What dies is only our human meaning” (49). Figuratively

Greek word 'monaches' which means solitary and 'hermit' from 'heremites' a desert dweller. The early monks and nuns were just that: men and women who fled the worldliness of urban life and the ethos of a church that was at the time of Anthony and St. Paul and established institution of the Roman Empire. They fled to the desert to repent and seek God by prayer, fasting and hard manual labour. In the desert they practiced an aesthetical lifestyle of great poverty