Antigone Tragedy Essay

their life span and after their passing as they touch the people around them in a positive manner. Comparable to modern day heroes, the heroes presented in the Greek tragedies in 400 B.C are also dignified and highly recognized. However, by elaborating the imperfections of the man or the woman and the resulting problems, Greek tragedies often root from a fatal flaw. By placing power on their emotions when making decisions, they are unable to come to terms with the repercussions at an early stage. When

great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat, one can easily mention many modern day characters that match this description. Most modern action and adventure movies main characters’ follow that same pattern, but lets not forget the classics. Both the plays Antigone By Sophocles and Hamlet by William Shakespeare have characters that follow the same classic pattern. Although ultimately, when comparing Antigone and Hamlet, it is clear that Hamlet displays

In the story of Antigone, an argument of who is the tragic hero between Antigone and Creon exists. I firmly believe Creon is the tragic hero of the play. Creon becomes the typical fallen hero in Greek drama. He faces many conflicts, internally and externally, and undergoes quite a bit of painful emotions. One might say Antigone should receive the title of being the tragic hero, but Creon plays a more significant role by learning his lesson the hard way and ending up as the classic tragic hero who

achievements. We see this emotion effect the characters’ rationality when it comes to making a decision. In Sophocles’ tragedy “Antigone”, the king of Thebes, Creon, bans any person from burying the body of Antigone’s brother Polynices. With great love for both her brother and the gods, Antigone goes against this decree, which exemplifies her pride for what she believes she is right. Both Antigone and Creon exemplify a great emotional sense of pride, yet in different ways. Both character's pride is what causes

Title Goes Here In the play Antigone, Sophocles creates the complex character of Antigone, who does what is morally right and tries to be the hero but messes itu p with hubris, hatefulness, and selfishness. She causes her sister, boyfriend, and Creon to suffer which adds to the tragedy that good deeds don’t always make the best heroes. Antigone can almost be called a hero except she doesn’t do the heroic deed gracefully. She is loud, proud, and does not care if she gets caught when she buries

(Blondell 65). Creon in the play, Antigone, by Sophocles plays a major role as the tragic king of Thebes and the uncle of Antigone. Creon and Antigone’s conflicting relationship highlights Creon’s tragic figure. In the play Creon tries to establish decisions for the common good of Thebes, but his results end in great tragedy. In this play, I sympathize more with Creon because he puts Thebes above everything which makes him blind to what is happening around him while Antigone loses her brothers but remains

Sophocles’ Antigone has been an ongoing controversy for years. It is out of the ordinary for there to be two tragic heroes in a Greek tragedy and in Antigone there is only one. Creon possesses some of the traits that confirms a tragic hero but he does not have all the paramount traits. The tragic hero in Antigone is indeed Antigone, she embraces all the attitudes of a true tragic hero. Aristotle describes the traits each character must have to be identified as a tragic hero. Antigone possesses all

Antigone Essay The tragic play Antigone by Sophocles, is basically talking about Antigone wants to bury her brother Polyneices, but this is an action goes against Creon’s new law. So after Creon heard about it, he decided to kill Antigone, who's a criminal in his eyes, but it brings up two of his important family members’ death too. In my opinion, the person who had more responsibility to this tragedy is Creon. Creon is more at fault for the outcome of the play due to his conceit and dictatorship

Among the greek legends, a recurring factor appears in each play: a tragedy. One in particular, Sophocles’ play Antigone, reveals a familial curse lasting eternity, however, out of the damnation, a hero arises, a tragic hero. In essence, the tragic hero derives from the tragic cycle: olbos, hubris, phthonis, ate, and nemesis. In short, olbos is the prosperity or happiness that the protagonist finds himself in, whereas hubris is the excessive pride or defiance in the gods that he feels. The stage

Jean Anouilh’s adaption of Sophocles’ Antigone published in 1994 garners the question whether or not the audience should deem Creon, the anointed king of Thebes, a tragic hero or villain? Notably, a Greek tragedy is distinguishable by the presence of a tragic villain. The role of which is to maintain awareness of their evil, yet unlike the hero remain static in terms of seeking resolution for their tragic flaw. Anouilh explores the way in which these attributes manifest themselves through Creon’s