Architectural styles

Writers are undoubtedly the connoisseurs of the linguistic world. The amazing thing about the written word is that it has no conviction; every literate human being has the same tools at their disposal and yet no two writers ever have the same flavor. I was fortunate enough to have recognized this at a young age. I immersed myself in all aspects of the written word: lyrics, poetry, fiction, nonfiction, etc. What has always excited me as a writer is my appreciation for the power that words can have

trying to convey the struggle between those who consider themselves to be “shushers” and those who do not like to be solitude in public. The author tries to convey this message mainly through writing this piece in first person while using the literary style of stream of consciousness. Periodically throughout the piece, the author shows his

sentence structure that it truly is not ‘American’ to be irresponsible and drink beer while working. We also learn about Dave Barry’s disagreements with ‘retail patriotism’ through his informal writing style. An author’s diction is what their writing style is. What was their overall vocabulary style choice? Was the essay formal or informal? These questions compromise what makes Dave Barry’s criticism of ‘retail patriotism’ more down to earth in order to not only reach a certain audience, but to also

‘The Streets-Morning’ by Charles Dickens is an extract taken from ‘Sketches by Boz.’ It is a descriptive piece and follows prominent features of the literary sketch technique, as it contains no prominent plot. The speaker narrates the “appearance presented by the streets of London an hour before sunrise on a summer’s morning.” The extract is in the first person narrative. This feature adds intensity and supports the use of details. First person narrative is generally considered unreliable due

both ‘Chemistry’ by Graham Swift and ‘The Landlady’ by Roald Dahl are two of the most unique and effective stories. They share both similarities and differences throughout. Comparing and contrasting the way the authors use their inimitable writing style to achieve their intentions in the story will give us more idea how these stories are alike and distinct. In a way, these two stories are similar because both the authors had carefully chosen the words

The present paper applies Ansgar Nünning’s cognitive narratological approach to the study of narrative unreliability and its relationship to the processes of resistance and change in Dangarembga’s novel, Nervous Conditions (NC). It is argued here that the first-person narrator of the novel, Tambudzai Sigauke (Tambu), has a certain vision of change through which she hopes to strike against both patriarchy and colonialism. Certain aspects of Tambu’s narrative voice, however, lead the reader to doubt

In "Snapping Beans" by Lisa Parker, she strategically utilizes figure of speech such as tone, imagery, and symbolism. She expresses the poem in the first-person view while including diction which helps enhance the overall mood and attitude that Lisa 's poem initially conveys in her piece. Including the title "Snapping Beans" itself, Lisa marvelously showcase the poem 's concentration on two individuals’ in correlation to the connection amongst two individuals '. She presents the adaptation of human

Swing Low, a novel and memoir written by Miriam Toews, explores her father Mel Toews’ life leading to his suicide. Mel Toews is difficult to fully understand as it stems from Miriam 's view of her father; however, she succeeds in portraying her father by convincing the readers he is narrating his own story through a believable recapitulation of his life. Before the memoir begins, the author clearly points out that she will be writing as her father while retelling his life story after gathering information

Grief is a multi-faceted response to loss. Although primarily focused on the emotional reaction to loss, it also carries a physical, cognitive, behavioral, social, and philosophical connotation. Doctor Elisabeth Kübler-Ross introduced the idea of the stages of grief in her 1969 book, On Death and Dying. Although it has received much criticism since then, the Kübler-Ross model remains to be the most widely accepted model of grief today. However, as most psychological research conducted in the 20th

Barbara Gowdy has succeeded in “We so Seldom Look on Love'; to arouse our curiosity through a romanticized depiction of what most would consider a sin, necrophilia. It is most probable that society in the nineteen fifties influenced the style and choice of characters to explore such delicate and obscure behavior. Barbara Gowdy proved herself to be very clever by opening a passage through the soul of a young woman, in order to humanize the inexplicable lust for dead flesh. What better way