Art Blakey

Temporality is one of the playful elements display in films. Time assists filmmakers to convey the subjectivity and their point of view of the film. New role as flashback in film representation connects audiences and character’s past, present and future. (Trifonova, 2002, p.12) Meanwhile, simultaneity displays an important role in presenting a narrative of a film. In this essay, Henri Bergson’s concept of simultaneity will be used for analysing the representation of temporality, the memory and

artist to one country may be unknown to another but, their works still play a huge role in that society’s art movement. However, those artists may later gained international popularity because of their unique style, lasting influence and beliefs. This is the case for both Andy Warhol and Affandi. Andy Warhol, an American artist who led the pop art movement, rose to fame through his outstanding art works that are still admired today. Affandi, an Indonesian modern artist, earned himself international

Breno De Lima The Thirties Professor Aaron Lecklider 12/01/2014 Film Analysis Worksheet: Film produced ABOUT the 1930s after the decade ended 1. CONTEXTUALIZE. What film are you discussing? When did your film appear? What genre was the film? Who produced the film? Who were its stars? Who was its audience (i.e., general audiences; experimental film fans; etc.)? How was it received by audiences/critics (QUOTE FROM AT LEAST ONE REVIEW)? What was going on in the U.S. (or globally) when your film

Ukiyo-e and its Effects on Japanese and Western Culture Art is a very important aspect to Japanese culture. It is a visual expression of Japanese culture and history. Japanese art covers many subjects such as landscapes, historical and fictional stories, people, and architecture. Throughout Japanese history, one of the most popular genres of Japanese art were the Ukiyo-e, wood block prints. Many artists such as Katsushika Hokusai and Tsukioka Yoshitoshi became famous creating Ukiyo-e artwork. The

Set in a 1940’s film studio, the film “Illusions” is dominated by white males dedicated to producing a misleading image of reality. Mignon Dupree, a bold assistant executive desirous of change in the industry, is deeply troubled by its artificial and racist nature. Throughout the film, the audience is exposed to many of the illusions created by techniques such as lighting, sound, camera angling, and visual layering. Thus, in large part, Dash’s film is a commentary on the film making process itself

discuss what he means by this phrase, why this is socially and politically significant, and provide an example of a historic exhibition where “strategic systems of representations” was evident. Exhibitions have motives which extend beyond the walls of art institutions. We know this because Ferguson characterises exhibitions as “strategic systems of representation; strategies whose aim is the wholesale conversion of its audience to sets of prescribed values to alter social relations” (Greenberg, Reesa

Errol Morris’ signature style is seen through his use of an “interrotron”. The device allows the audience to engage with his films through, persuasion, emotions and desire. Both the “Fog of War” and “Tabloid” by Morris However, it does not allow the film to be more truthful but it allows the film to become more desirable. Errol Morris’ device, the “interrotron” allows for a personal connection with the film as it voids the third party and provides the audience with a sense of engagement with the

Making movies is an art that requires a lot of expertise in different fields. To make a movie, many people are involved in creating scenes alone. To many movie and television fans, the people that make a movie famous are the actors that they see in the scenes. What they do not know is that there are a lot more people involved in creating a film. They are the writers, cameramen and, of course, the director. These are the people who make the actors in the film look good and those who make create

Modernism Modernism begins with World War I and the Great Depression and is the rejection of tradition. Writers in this time era began to question the authority and tradition that seemed to be the foundation of America. Modernists destroyed the American Dream. The modernist group ask themselves three questions. Who are we? Where are we going? What values guide us to our human identity? The song “American Idiot” is comparable to the Modernist era because it is about rejecting the ways of America

means “To deceive the eye” in English. A famous work of art that uses trompe l’oiel is the work of Rene Magritte, “The Treachery of Images”. A more recent trompe l’oiel artist is Duane Hanson. His work focuses on trying to create a resemblance of human beings using materials like different kinds of resins, fiberglass, bronze, and bondo castings. He is often described as a “Realist” or “Hyperrealist”, also being included multiple times in the “Pop Art” movement. Hanson’s works revolve around typical American