Art museum

A. The name of the museum I visit was the Lowe Art Museum in the University of Miami, I really loved the visit I enjoy it and I learn about so many cultures and different arts that amaze me of how they were so creative and passionate. The work that I select because it called my attention since I got to the place it make me change my direction and to go there because of that brilliant blue and fantastic size that had so much beauty in it. Breathing Glass by Sandy Skoglund she was born on September

Parent’s Weekend at Marquette, my family and I went to the Haggerty Art Museum. While I pleaded with my family to not go, as I am not a huge art fan, my Mom’s opinion overruled mine. From the outside, Haggerty looked like it would be small, but in reality, was quite large. When walking in, I immediately assumed that the art would not make any sense to me like at most art museums. However, I was quickly proven wrong as a lot of the art we saw was what I would consider impressive. They were not the drawings

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the

teaching. Therefore, I concluded I wanted to ultimately work in a museum. An opportunity to shadow a museum director, a position I hope to be in one day, truly exposed me to that specific environment and sealed my determination like never before in regards to my future. Mr. Montgomery is the museum director at a local history, art, and industrial museum. I reached out to

My Findings at the Human Art Museum Drat! The trainee in our spacecraft beamed me to the wrong destination, his trainer was supposed to be guiding him but I guess he had more important things to do. Somehow he beamed me to a place called the St. Louis Art Museum, instead of to the planet Zorf where I was supposed to set up a trade station.. I’ll be sure that young Flee gets more training. I guess while i’m waiting I can look around and see if we had made our mark on this civilization. The first

I attended the Iris van Herpen collection at the Phoenix Art Museum during their opening day. The collection consists of dresses/outfits that are extremely unique and fascinating as each one is so different from one another and have their own background and inspiration. A surprising fact I learned was that Iris van Herpen does not design each piece using 2-D illustrations or sketches, van Herpen creates the design from her mind as she drapes the fabric over the mannequin. Another interesting fact

continued at the Kimbell Art Museum in Fort Worth Texas. Louis Kahn is a modern architect that designed the Kimbell Art Museum. Kahn emerged from the Beaux-Arts movement but became one of the foremost American Modernist architects of the 1950’s and 60’s (Kimball, 1990). Kahn created a building for the Kimbell Art Museum that also complimented the art and did not distract the viewer (Kimball, 1990). He was commissioned to design the Kimbell Art Museum from 1966-1972). “Kahn’s museums are individual to

The Metropolitan Museum of Modern Art trip was amazing, I have the pleasure of seeing numerous art work that I have heard about. But going there give me a real taste of the struggle as well as the accomplishment of these artists like Henri Matisse, Claude Monet, Vincent Van Gogh, Henri Rousseau, Fernand Leger and so much more. These paintings were the expression of the free liberty of their imagination where the artist did feel have the freedom to portrait anything that he was please to. But the

Corporations and Their Influence in Support for Public Art Museums Statement of Intent Historically, museums have relied on four sources of financial support: individual contributions, corporate and foundation support, earned revenues, and government grants. This paper focuses on present day corporate support for art and the museums that collect and display that art. It urges museums to reassess their assumptions about corporations and suggests ways that museums can develop new approaches to align their solicitation

analysis for the Cinicinnati Art Museum is what gives the viewer the information to easily see what is wrong and isn’t wrong with the museum, while providing information on possibilities the museum can capitalize on and what threats could harm the museum. The strengths were not hard to identify. I identified six different ones, all self-explanatory. Free admission, membership purchases, host of traveling exhibits, host of special events (weddings, parties, etc.), the museum is located in a popular