Arthur C. Clarke Essay

Arthur C. Clarke’s 1951 short story “The Sentinel” is a basis for Stanley Kubrick’s masterpiece 1968 movie 2001: A Space Odyssey. As a result, both stories partially share the same theme and parts of the plot; nonetheless, the movie expands the theme and the plot of the short story, while the latter focuses mainly on the communication of the importance of the discovery. Due to the difference in forms, the two stories use methods most suitable for each of them to communicate the most important moments

In 2001: A Space Odyssey, music is used to help keep the audience involved and to enrich the plot. In fact, this film is meant to be a nonverbal experience; it is roughly two and a half hours long and there are actually less than forty minutes of dialogue in the entire thing. The opening song in 2001: A Space Odyssey is Thus Spake Zarathustra which is more fitting in more ways than one. This piece was actually written for Friedrich Nietzsche’s literary work of the same name. The novel is about the

In the science fiction film, 2001: A Space Odyssey. The director, Stanley Kubrick, portray his masterpiece in an ambiguous understanding where he examines topics such as extraterrestrial life, the dealings with technology and the human evolution. Throughout the movie, Kubrick depicts the facade, monolith as an instrument in awakening intelligence. Moreover, the protagonists go through a drastic change of struggle to explore on the idea of technology and extraterrestrial life. In the opening scene

In the article, “Is Google Making Us Stupid?” by Nicholas Carr, he begins the article with a description of a scene in Stanley Kubrick’s 2001: A Space Odyssey. In the Space Odyssey Dave Bowman argues with the supercomputer, HAL. HAL pleads to Bowman to not disconnect his circuits that control his “brain”. The computer feels his mind going; this is a feeling that Carr has also had. Over the years, Carr feels like someone is tinkering with his brain. He states that he is not thinking the way he uses

Cinema Critique The title of the movie I watched is 2001: A Space Odyssey. The direct of the film is Stanley Kubrick. The movie was released in the year 1968. The basic plot of the movie is that for around the first 20 minutes it takes place at the dawn of man, or civilization. It starts with some ape looking creatures going about life until; they come across a black stone or monolith. The monolith apparently does something to the apes and gives them the intelligence to use bones as clubs. It then

What’s a Blockbuster? “Any sufficiently advanced technology is equivalent to magic.” Arthur C. Clark couldn’t have said it better. It blows my mind how quickly and effectively new technology is being made. Could you imagine living in a world without your Iphone? Or how about having to use an actual paper map instead of your latest and greatest GPS? Well that’s how I grew up, and I turned out just fine. So before you go and get angry at your parents for not buying you the new Iphone 25s, try

The Richard Strauss’ “Thus Spake Zarathustra”, Johann Strauss’ “Blue Danube Waltz” and Ligeti’s “Requiem” act as recurrent themes in the film’s story. The C-G-C chords of “Zarathustra” is first heard playing triumphantly like a fan fare in the opening title which juxtaposes the Sun, Earth and Moon. “Zarathustra” acts as bookends for the beginning and end of the film and indicates the importance of the moments

Technology has long become a part of our everyday lives from small gadgets like our phones to huge scientific breakthroughs like rockets. Even discovering how humans evolved from apes into the organisms that they are today, revealed how humans are still undergoing evolution. Curiosity is a trait that has inspired humans to innovate and be where they are today, and has given them the capability to be able to make tools that can make their lives easier. Unfortunately, these tools have inclined humans

Conflict, spanning simply from man versus man, to more complex issues such as man versus technology, overwhelmingly dominate modern science fiction films. Directors explore dark issues that humanity collectively faces with--through their portrayal of dystopian societies, advanced technology, and extraterrestrial life--potential answers based upon their own interpretation of the “unanswered.” In 2001: A Space Odyssey, Stanley Kubrick examines the relationship between the human race and technology

Perception of Time and Space in 2001: The Space Odyssey and Star Wars VI Though 2001: The Space Odyssey and Star Wars VI: Return of the Jedi are both set in space, Kubrick and Lucas provide their own distinct measures to portray their versions of outer space. Kubrick leaves his viewers with an anxious and unsettling perception of what is it to be in outer space while Lucas presents space as a familiar and appealing extension of Earth. Star Wars VI: The Return of the Jedi is a journey of familiarity