Bass clarinet

with the utmost delicacy and without damper. From the interpretations of his instructions, it can be concluded that Beethoven wanted this movement to be interpreted with sensitivity and colour. The bass line is a prominent feature in texturizing the movement. The most distinctive characteristics in the bass line are its Neapolitan chords which are strategically placed amidst chords of double octaves. This prevents the movement sounding too much like a lullaby and adds more colour and tension. The movement

music, but only created a failed career. The picture seemed set in stone. A ratty clarinet, a silver guitar, and a stand up bass sitting on a park bench, playing to make a bucketful of cash. Granted, the image simply conveys failure; in reality, it conveys success. A gentle hearted woman, Taya, stood on the street corner of downtown New Orleans, blasting notes and gracefully moving her worn fingers along the old clarinet. Her skin was a smooth chocolate. Her hair a dazzling ebony. She emptied her soul

The History of Chamber Music What is chamber music? It is ensemble instrumental music for up to about ten performers with typically one performer to a part. Since circa 1450, there has been instrumental music designed for private playing. These pieces used many instruments and (in Germany) it was common that the folk songs would contain 2-3 countermelodies to expand and elaborate the whole, and to arrange the outcome for groups of instruments. Although the

studio orchestra was then introduced for the second half, with the jazz ensemble remaining on stage as they joined them for certain pieces. The first piece played titled “Two of One” was dominated mainly by trumpet and tenor sax. It has a constant bass line, and it’s accompanied by piano. The overall feeling was swing, which was emphasized by the drum set playing swing notes. It was set up as a big band, and the only electronic

Tyler Martin Advanced Orchestration Symphony no. 5 in C minor Beethoven’s intent behind this piece is creating diversity out of unity. The unifying idea of the work is a series of three short notes followed by one long note. The diversity of the simple unifying idea therein is generated by the use of timbral development techniques and expansion of the orchestra; however, there are several performance practices and technical issues that impact the work’s total realization. The score referenced

On Saturday, May 9th, the RIT Orchestra and Chamber Orchestra put on a performance titled the “Apotheosis of the Dance” at the Allen Chapel within the Schmitt Interfaith Center. The performance began with the RIT Chamber Orchestra, featuring mostly stringed instruments, performing works of Mozart, Bach, and Grainger. After a short intermission, the RIT Orchestra entered and performed a piece composed by Beethoven. The majority of the concert was conducted by Michael E. Ruhling, with the exception

said glaring at Bass. “It is my office,” Bass answered as he bent down to gather his papers, moving towards his desk. “Not you!” Miles bitched, “Her!” he said pointing in Charlie’s direction. “She’s been missing for a while now and Maggie’s about to have my head on a platter if she isn’t returned to her rooms immediately. I should have known that I’d find her here with you,” he frown taking in her nightclothes and blanket. Charlie’s mouth fell open at the insinuation as Bass looked in Miles

Reno Philharmonic Orchestra On Tuesday, March 14, 2017, I attended the Reno Philharmonic Orchestra at the Pioneer Center. The program for that evening included a Violin Concerto op 14 (1939) by Samuel Barber. With Benjamin Beilman, on the violin, the piece included three movements. Followed by Gustav Mahler Symphony No. 1 I D major, Titan (1889). Violin Concerto op 14 (1939) I. Allegro moderato II. Andante III. Presto in motion perpertuo Symphony No. 1 I D major, Titan (1889) I. Langsam, schleppend

As the weeks went by, Bass’ concerns about Charlie 's motives slowly diminished. She continued to stay close to him and the children and “Connor” was never mentioned again. In fact, after those first few disorienting days, Charlie had never mentioned her dream world again even though she still didn’t feel as though she belonged here. Granted, she was no longer able to imagine not being a mother, showering Sunny and Ethan with all the attention and love she felt that she had never received, nor

The next morning, Charlie woke to a warm body pressed against her back and an arm draped across her waist rubbing her wrist. “Bass?” “Morning,” he answered softly, his warm breath brushing across the bare skin of her shoulder. “Your wrist looks fine this morning. Not a hint of green to be found.” “That’s good,” Charlie whispered in return, trying to control her breathing. “How’s your head?” “It still aches a bit, but It appears as if I’ll make a full recovery. Apparently not as fast as you though