Book of Judith

Judith Slaying Holofernes is one of her masterpieces that has been acknowledged as a proper piece to understand the main characteristics of her painting style. Carol Strickland, an American art historian, explains that this painting shows how Gentileschi

In this essay, I will discuss the startling differences between two depictions of the story of Judith and Holofernes. “Judith with the Head of Holofernes”, 1495, created by Andrea Mantegna, is a small-scale painting that was completed during the Renaissance. The second is a Baroque painting, “Judith Slaying Holofernes”, c.1620 by Artemisia Gentileschi and is on a larger scale than the version created by Mantegna. Both artworks take inspiration from the religious story that appears in the Catholic

of the woman with the sword and a man’s head is deeply embedded in the iconography of Western art. As early as the 12th century, the Judith and Holofernes motif began appearing in book miniatures, decorative arts, paintings, and sculptures. What made this image so intriguing that throughout the centuries, artists kept suggesting their elucidations of Judith and Holofernes’ encounter? Was it because the image appeared to contradict the typical stereotype of a woman as an image of fragile

method of iconography to explore the figure of Judith in the art historical tradition, and how the depictions of other artists compare to that of Artemisia Gentileschi. The theme of Judith and Holofernes takes up a larger space in Gentileschi’s oeuvre than any other subjects. At least five autographed versions of the subject have been preserved, three of which are rightly appraised as amongst her finest works. The subject is taken from the Book of Judith, which 5 was composed anonymously towards the

This piece of artwork is called ‘Judith Beheading Holofernes’, which was created by Caravaggio in the late 16th century in Rome. It was a type of oil painting on canvas, also, a piece of artwork in the period of Baroque. Briefly, Hood stated that in this artwork, it told the story in Biblical story of Judith, dressed as a well-born Renaissance young lady, standing at a safe distance, and who was saved her people by beheading and seducing the Assyrian general Holofernes, which was a theme very common

such piece that bares a unique resemblance to a work Caravaggio painted in 1599 is Judith and Holofernes. Painted by Boulogne in 1626, this painting contains many characteristics associated with the

happening in this picture? Why? Artemisia Gentileschi’s was one of the skilled painters of Baroque era who created a masterpiece of Judith Beheading Holofernes which portrays the biblical character, Judith. Judith, who first seduced Holofernes, then beheaded him with his own sword. She is accompanied by her maid. Maid seems to hold Holofernes with all her strength. Judith has grasped his hair on the beard with her left hand and she is beheading him with her right hand. This piece of art looks very violent

The Judith and Holofernes piece is important to history because it shows rebellion in women which was not often seen, it also is important because it paved a path for other artists to venture out in it’s state which was free standing statues. The Judith and Holofernes art is by Donatello, it was created in 1460 towards the end of his career. Moreover, the Judith and Holofernes piece was created in the 1460’s during the years of free art. The painting was created because of the lead of religion

Artemisia Gentileschi’s Judith Slaying Holofernes, in particular the version which is currently hanging in the Uffizi Gallery in Florence. Dated around 1612-13, the painting depicts the biblical Judith at the moment of her decapitating Assyrian general Holofernes. Gentileschi is reported to have done this painting as a commission for the Medici family. The painting starkly differs from previous versions of the scene, particularly the influential version made by Caravaggio, as Judith is less detached from

would argue that rather than indicating Judith is slightly impious, Judith’s declaration reflects a deeper understanding of the nature of divine will. Judith expresses that God will act through her, and that rather than perform a miracle, He will empower her to defeat Holofernes. Moreover, Judith is proven correct, as her actions are the salvation of the city of Bethulia. While she gives due credit to God in her explanation of the events at Holofernes’ camp, Judith is nevertheless a key instigator of