Bride of Frankenstein

You walk until the rooms begin to host abstract forms that slowly morph into human-like ones, and in the end, the forms become copies of Frankenstein’s Monster and the Bride. And then you continue walking through these rooms flooded with them. Physically it is a very linear experience, and like this animation, “The Bride of Frankenstein” is quite linear as well, with one event happening after another, actions leading to consequences. Undertones of tragedy seep through the film: dark tones, high contrast

Making a good movie is easy but making a great movie is hard. As I watched a short clip from the movie The Bride of Frankenstein I watched how the acting, plot, lighting, camera work, and script all made this film come to life. This movie was made in 1935 yet it is still so compelling to watch because it is successful with the important components of a movie. The first thing I noticed about the short clip was the lighting. As a photographer lighting is the most important thing about pictures and

this page will always be the same, it is only the reader and the world around them that changes. Take for example Mary Shelley’s Frankenstein. In 1818, Shelley had a nightmare that lead her to write her novel as a personification of the Victorian Culture’s fascination of science and death. In 1934, director James Whale adapted the material into “ The Bride of Frankenstein” film, and was an allegory for pre-WWII unity, then in 1997, someone interpreted the film as a homosexual allegory for the 1990’s

The point of a film is to share a message through entertainment; it can be thought that films made in the same era can share a common goal. This is not always the case, like in the films The Bride of Frankenstein directed by James Whale and Mad Love directed by Karl Freund. These two films both talk about romantic love but they do so in different ways. Romantic love occurs when two people share intimacy and a strong connection. Love has been something in the past that has driven people and has forced

darkness into light? But if you talk like that, people call you crazy. Well, if I could discover just one of these things, what eternity is, for example, I wouldn 't care if they did think I was crazy.” -Henry Frankenstein (Frankenstein, 1931) A. The images of Frankenstein are so vividly burned onto our collective consciousness, so universally recognizable, that it’s hard to view their original visual offering as a true masterwork of artistic expression, rather than simply a piece

In Erin Hawley’s article “The Bride and Her Afterlife: Female Frankenstein Monster on Page and Screen” she makes the main point of the sexism that is within “The Bride of Frankenstein”. She supports this argument with the main point that since the bride is not able to talk stands for women’s silence itself. She also uses other points to make this such as the fact that she only in the movie for a short period of time and that she were just created for looks. While this could be a strong argument

The Bride of Frankenstein A horror film is a film dominated by elements of horror. This film genre underestimates a number of sub-genres and repeated themes, such as slashed themes, vampire. Horror films are designed to frighten and panic that cause dread and alarm within our hearts, and to invoke our hidden worst fears, often in a terrifying and shocking endings at the same time entertaining us with excitement and therapeutic experience. Most horror films are designed

Victor Frankenstein, the famous scientist who born so differently and unique during his short life. He is the one who can become our graceful hero, to lead more people start to pursue science, to encourage more coward getting remorseless. Just like what he did in science, he was the kind of person who believe himself can shock the world and he actually did proof to us by his incredible talent and inspiration. Yes, that’s one of the reason that why I pick him as my super hero in my heart. His curiosity

God. Mary Shelley’s Frankenstein is one example. Losing her mother at a young age, Shelley had all the reason to blame God and wanting to control life and death. One night after having a nightmare, Shelley put pen to paper and wrote her famous novel, and welcomed the world to her inner self of Victor Frankenstein. There has been endless adaptations of Shelley’s novel throughout the years. None is more famous that James Whale’s Frankenstein and his 1934 sequel, Bride of Frankenstein. Whale took Shelley’s

Analysis Mel Brook's film ,Young Frankenstein, is a comedic throwback and famous parody to Univeral's Frankenstein (1931), Bride of Frankenstein (1935), Son of Frankenstein (1939), and The Ghost of Frankenstein (1942). (quote from interview generally describing movie experience). Young Frankenstein has important visual effects that bring to this film a well-rounded sense of both frivolity and campy thrill. Satirically embodying the older films, Young Frankenstein includes overly dramatic scene transitions