Canadian Broadcasting Corporation

1 The 1920s was an exciting time for broadcasting technology in the west; the possibilities of all that this era had to offer were infinite and with it came much needed regulatory policies. Radio and television broadcasting were at their infancy and no one knew how big this idea of instant, national connection would become. Soon after this, it became apparent that Canadians prominently turned their attention to American broadcasting and, in turn, overlooked their own. This piece of information sparked

Policy Problem The recent Canadian Radio-television and Telecommunications (CRTC) (2013c) 'Broadcasting Regulatory Policy on the Distribution of Canadian Category C national news speciality services' marks a new regulatory approach to distributing competitive news and sports programming in Canada. This policy is a response to Canadians' concerns over consumer choice due to program bundling and an inability to select news and sports programs on a stand-alone basis (CRTC, 2013c; CRTC, 2014). Based

characterize itself as more ?Canadian? for decades. This has included numerous struggles and events such as protests, bans, and the creation of the Massey Commission, to encourage national development in the arts, and support major companies like the Canadian Broadcasting Corporation (CBC) and National Film Board (NFB). However, this has not been an easy task for the Canadian government, as major influences from below the border (the United States) have been captivating the Canadian audiences by large. American

and culture of a country. The Canadian Film Industry,

Toronto, and Vancouver are rated some of the best cities in the world. There is also Canadian Broadcasting Corporation (CBC), which bring us Canadians radio and television broadcasts the news, music, and entertainment. (Schwind, 2010, p. 3) Even though Canada is a leader and a top competitor around the world in regards to business, resources, talent, and innovation, there are still many challenges facing Canadian organizations. In this paper I will discuss the many ways that Canada, from a business

Charles Marius Barbeau’s Ethnography and the Canadian Folklore Born on 5 March 1883, in Sainte-Marie-de-Bauce, Charles Marius Barbeau is widely seen as the first Canadian educated anthropologist. He graduated from Université Laval in Québec, from his studies of law, in 1907; he never practised law. Upon graduating, Marius was awarded – as the first French-Canadian recipient – the Cecil Rhodes scholarship which allowed him to study at Oxford University where he was introduced to the emerging

is yes. Public broadcasting is needed to enhance democracy in Canada because our society depends heavily on media influence and this influence has increased over the years, it is a platform for Canadian culture to be represented in the media and it ensures that Canadians receive rich unbiased information. THE CANADIAN SOCIETY IS INFLUENCED HEAVILY BY THE MEDIA One of the major reasons that Canada needs public broadcasters to enhance democracy is because Canadians are heavily influenced

Dealing with a Dictator. Directed by Mark Kelley. 2016. In the documentary, “Dealing with a Dictator”, Mark Kelley, the director, tries to uncover a Canadian mining company name Nevsun. Nevsun is a company that has invested money in a country called Eritrea which is located in Africa. Eritrea is a country rich in minerals such as gold, copper, bronze, silver, etc. Nevsun invested in Eritrea by digging a mine to obtain minerals and make business in Canada. As shown in the documentary, one of the

Positive influence of Hippies on Canadian society in the 1960s. Natasha Kelbas, Ms. Van Hatten December 17th 2009 CHC2D1-05 Hippies are the real activists of freedom who love each other in a positive way. The word hippies generally invoke sterotypes that involves drugs, sex and bare feet. Though it is true that many hippies did practice these sterotypes, they were people who fought for rights and freedom without violence. They gave up the traditional morals and values to promote new values

Rules revolving around Canadian Content (CanCon) have been set in place since the 1920’s. In 2005, revisions to the 1991 Broadcasting Act were made. Since this revision was made there have been further changes to the Act trying to create the best set of rules for CanCon to be broadcasted (Dewing, 2011). CanCon is an outdated concept that is causing consumers to switch to other forms of media. The CanCon rules cannot determine what is considered Canadian and they cannot keep up with the ever-changing