Carmella Corleone

The way in which gangster figures are portrayed with consideration to gender roles and ethnicity within each film will be analysed. ‘The Godfather’, ‘Pulp Fiction’ and ‘Scarface’ are being explored because they are three movies known for being inspirational in establishing the gangster genre conventions at various points in film history. ‘Scarface’ was highly influential within this genre and when it was released there was not the same censorship as there is in the 21st century. The representation

film director,activist Alabama.He helped to popularize the Stanislavski system of acting, studying with Stella Adler in the 1940s. Brando is most famous for his Academy Award-winning performances as Terry Malloy in On the Waterfront (1954) and Vito Corleone in The Godfather (1972), as well as performances in A Streetcar Named Desire (1951), Viva Zapata! (1952), Julius Caesar (1953), The Wild One (1953), Reflections in a Golden Eye (1967), Last Tango in Paris (1972), and Apocalypse Now (1979). Brando

In Saturday Night Fever, portrayal of scenes and actions that were once prohibited due to the Hays Code allowed the characters to develop while giving a sense and portrayal of who Italian Americans are. Many of the characteristics exhibited by Tony, his friends and other characters relate to the first time they were explored and used in the film, The Godfather. For example, in Saturday Night Fever, there is a scene in which Tony and his friends are beat up by the Barracudas (Hispanic gang) and vice

In this essay I decided to watch the movie Scarface (1932). This movie is directed by Howard Hawks and Richard Rosson. Its lead actors are Osgood Perkins, Paul Muni, Ann Dvorak, and Karen Morley. Scarface is a film about guns, gangsters, and pretty woman, it follows a story of a fast rising gangster who lives by the moto the world is yours, but once he finds himself at the top he is quick to find his world is tumbling down around him. Looking at scenes of sexual innuendo the film handled it with

For many Italian-Americans, The Godfather changed the way that they were viewed in American society in a good way. Megan Gambino of the Smithsonian interviewed Tom Santopietro, the author of The Godfather effect. In the interview, Santopietro states "The film changed Hollywood because it finally changed the way Italians were depicted on film. It made Italians seem like more fully realized people and not stereotypes. It was a film in Hollywood made by Italians about Italians. Previously, it had not

From the start of the movie with the Undertaker, Don Corleone displays his noble side. The Undertaker’s story is a very sad one where the law failed him and he goes to the Don to deal with this issue. The Don says he will help the Undertaker with his daughter’s attempted rapists and victimizers, but not the way the undertaker wants to. The Don has a moral code that one would not expect from a harden criminal. His moral code is similar to “an eye for eye” mentality. The Undertaker wants the Don

The Seal family started the movie in middle class and by the end of the movie has more money than they knew what to do with. They moved into a 2000 acres lot, owned an airport, several planes, multiple cars, thousands of dollars’ worth of jewelry, and more. They were extremely affluent and had money pouring out of the walls (literally). The Contras in Central American lived in poverty. Struggling to survive and seeing very little money, they lived in small homes and not lavish life styles. The

soundtrack, there ought not be any miracle of why this work has stood the trial of time. Notwithstanding each one of those traits is the presentation of rich social topics and changes all through the whole film. The story takes after the New York based Corleone wrongdoing family throughout ten years, from 1945-1955.

Throughout the play, there have been many conflicts substantial and miniature but one of the enormous is out of the play. In the play, Don John and Borachio are two of the major antagonists that make substantial effects on the storyline. Yet during the play, Borachio realized his wrongdoings while Don John stays defiant in the story. Therefore Don John is more of a criminal than Borachio for not resent his crimes. Also could be said that Don John is more determined to reach his goal by using any

these films. The Godfather and Goodfellas are obviously very similar. However, they also have several aspects that differ from one another. In both The Godfather and Goodfellas, violence penetrates the daily lives of both Henry Hill and Michael Corleone. Although violence is a key factor of each of the movies, Goodfellas is more brutal in comparison to The