Caroline Quentin

Q. Tarantino's Use of Different Film Elements in Kill Bill and Pulp Fiction Quentin Tarantino has used the lightning, colour, sound, camera, mise-en-scene, iconography, speed of editing and special effects in Kill Bill and Pulp Fiction to make the audience want to carry on watching. These film elements have been used very effectively by the director in the openings of both films to build audience interest. The first aspect – lightning

No Universal Criteria for Evaluating Media Violence       In a famous speech in 1995, Bob Dole, in an effort to gain more conservative support for his impending Republican Presidential Nomination, unleashed a damning indictment of the movie industry, seemingly unprovoked and somewhat puzzling. (Lacayo) Dole's speech and especially the rebuttals to it raise many questions central to the debate over violence in film: is violence destructive to impressionable viewers, is violence critical to the

swarming with harmful bacteria and human waste. And they’re one of Quentin Tarantino’s favorite tools to use on the big screen. If one were to study the history of American media, he or she may notice that bathrooms are scarcely pictured. In fact, it wasn’t until the 1960 release of Alfred Hitchcock’s Psycho that a toilet was shown in cinema. The featured toilet caused quite a stir among critics, and became a symbol of American ethics. Quentin recognized the subject of morality that resided in the use of

As one of the most celebrated and best known Soviet directors, Sergei Eisenstein’s theoretical writings and practical uses of editing are a crucial part of cinema’s development. He viewed the art form of film as a tool with which to inflict certain reactions and emotions to audiences, be it through shock or empathetic understanding. His editing techniques were key elements to achieve these effects, carefully planned out and sought to create conflict in meaning. “Art is not a mirror which reflects

Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate

covered by discussing the appropriate concepts separately and by individually contrasting the classical and modern theories with Quentin

Jasvinder Singh Prof. Sarah Markgraf Intro to Cinema 5 December 2016 Royale with Cheese Pulp Fiction by Quinton Tarantino falls into the genre of a Gangster film but has elements of other genres as well like Film Noir and Black Comedy. Pulp Fiction has a balance of drama and comedy along with hard to watch scenes like rape, violence, gore and heavy drug use. Tarantino’s style of movie making help make Pulp Fiction the classic it is today. The mise-en-scene, cinematography and other elements

In 1994, Quentin Tarantino released his American Crime film that was nominated for 7 Oscars, winning one, and is currently #95 on AFI’s 100 Greatest American Movies. The movie, Pulp Fiction, is about three characters that are all connected to the life of crime. The first character is Vincent, a man who follow every order his boss gives him. Vincent is satisfied with his life of crime and doesn’t plan on changing his lifestyle. The second main character is Jules, a man who believes that he recently

Pulp Fiction is a black comedy crime film written and directed Quentin Tarantino (1994). The film’s “narrative follows the unpredictable actions and reflections of two hit men who philosophically meditate out loud about the Bible, loyalty, and McDonald’s hamburgers” (Corrigan, White, 368). The movie goes against the three-act structure of classic films as the story is told out of chronological order making the film so memorable to its viewers. Tarantino’s film begins in a coffee shop and also ends

information through the family and, now, is retold by Quentin Compson. In short, Quentin’s contractual description depicts Sutpen’s rationale, highlighting Sutpen’s simple view of the world. The passage begins with Quentin presenting the injustice as a legal document, depicting Sutpen’s rationale. Sutpen enters the marriage in “good faith”, suggesting that Sutpen thinks high of himself and believes that he is truly innocent. Moreover, Quentin uses the correlative conjunction “not only… but” twice