Caroline Quentin

other. Not likely. Why not try it yourselves. Visualize yourself, or if you have access to a mirror, look at yourself. Alluring huh? I bet you have to admit, you're tolerably attractive. Who are you kidding? You are foxy. You are a fox. If you were a Quentin Tarantino movie, you would be Foxy Brown. Now tear yourself away from your own adorable self and turn to your right. See that person. Pretty appalling. If it's a man, he's not very handsome is he? If it's a woman, not very pretty is she? And if you

In his interview, Quentin Tarantino describes Inglourious Basterds as a product of his imagination (Gilby 175). If one had watched the film, he can see that the film is based on the real World War II setting as it portrays actual key figures - Hitler, Goebbels, and Churchill - and events around that time, such as German occupation in Paris and the Holocaust. Even though the film uses actual World War II setting, the story as a whole is a pure fiction. The film is a fictional alternate history of

In cinematography, as Quentin Tarantino discusses in an interview, the director is the conductor and the audience’s feelings are the instrument that directors utilize to evoke emotion. Directors have many tools they use to evoke the viewer’s emotions and properly captivate the audience. One of the tools directors use to control the audience, in addition to special effects, is dialogue. Dialogue has the power to push an audience to tears when a character dies, or make them laugh at the same scene

rest assured that they will be in for a treat. Quentin Tarantino has consistently proven that he is in the top echelon of film making. Spanning from the start of his director career to now, Tarantino has released the highest tier of films to date. Films like Pulp Fiction, Reservoir Dogs, Django Unchained, and my personal favorite Kill Bill 1 and 2. Taking a closer look at Kill Bill Vol 1 and Vol 2, it becomes apparent how amazing of a film director Quentin Tarantino truly is. First of all Tarantino

Title: Django Unchained Film Origin Django Unchained originated by the 1966 film Django as Director Quentin Tarantino was writing a novel on Italian Director Sergio Corbucci, who was famously known for making spaghetti western films. Summary of the film Django Unchained is a film that follows the story of Django, who was a slave turned bounty hunter, and Dr. King Schultz, who is a bounty hunter. Schultz purchases Django in order to make him a freeman, due to the information he has about his bounty

The two films I analyzed are Double Indemnity (Wilder, 1944) and Reservoir Dogs (Tarantino, 1992) they follow the film noir tradition, which, according to Blaser (2008) is a style more directors moved to employing after the world war. Averagely, film noir explores the many aspects of being human such as the greed, lust, love, truth, and lies. The two films move away from the tradition of the previous films that insisted on the family as central to humanity with women and men having different roles

book Graphic Violence in the Cinema: Origins, Aesthetic Design, and Social Effects almost perfectly embodies the spirit of Quentin Tarantino movies. Although most movies contain some sort of violence, Tarantino involves it in a way like no other filmmaker; it is described as an “adrenaline shot” as well as keeping humor a part of the violence. Unlike classical films, Quentin Tarantino holds nothing back in showing gore and blood, all the while using it as a narrative device throughout the film. As

Films are often connected by the shared use of common universal themes. This element of cinema allows for deep analysis of films and lessons one can gain from the entertaining pastime of movies. The well-known 1982 films Conan The Barbarian written by John Milius and Mad Max 2: The Road Warrior directed by George Miller, share many concepts that fall under the themes of masculinity and heroes, but also differ greatly in the theme revolving around power. The theme of masculinity in both Conan The

Violence plays a major role in the history of cinema. Both Alfred Hitchcock and Quentin Tarantino have produced a litany of films that have imagery or plots that include violent acts. However, their different directorial visions and styles make it so that Hitchcock and Tarantino films are nothing alike. This is because Hitchcock's objective was to make the audience feel afraid, tense, and anxious for the protagonist, whereas Tarantino's objective is to illustrate the absurdity of violence by elevating

Comparison/Contrast of To Kill a Mockingbird and A Time to Kill The films To Kill a Mockingbird and A Time to Kill are easily comparable. From the titles to the actual contents, it is not difficult to understand why one would see them as similar. However, there are as many differences as there are similarities within the movies. I will be discussing and describing both the similarities and differences between the films. To begin, there is one extremely prominent similarity that is immediately