Changes in rita

"Educating Rita" displays the major changes that occur in the main character, an initially narrow minded, outspoken and socially naïve Liverpudlian trapped by her working class life. Rita thinks an increase in intelligence and worldly knowledge will change this, and set her "free". She strives to change classes, and although is different from her working class peers, she still isn 't ready to be accepted as middle class. She aims to reach her goal through an Open University course, yet naively thinks

Educating Rita by Willy Russell "Educating Rita" displays the major changes that occur in the main character, an initially narrow minded, outspoken and socially naïve Liverpudlian trapped by her working class life. Rita thinks an increase in intelligence and worldly knowledge will change this, and set her "free". She strives to change classes, and although is different from her working class peers, she still isn't ready to be accepted as middle class. She aims to reach her goal through an

Changes in Rita in Act Two Scene One of Educating Rita Willy Russell was born in Whiston, near Liverpool, England, in 1947. Russell has written a string of popular, award-winning plays and musicals, but perhaps one of the most well known is Educating Rita. In this play Willy Russell is very much producing a mirror image of parts of his life. As a child and growing up he didn’t care much for school, he considered himself a kid from the ’D’ stream and a piece of factory fodder. Eventually

Changes in Rita's Character throughout Educating Rita With reference to the social context of the play, discuss the ways in which Willy Russell shows the changes in Rita’s character throughout Educating Rita. In the play Educating Rita by Willy Russell there are two main characters, Rita and Frank. Rita is a twenty six year old uneducated hairdresser. She wants a better life for herself; she wants to have an education. She didn’t get a full education at school as she says, ‘See, if I’d

Changes in Rita and Frank in Acts One and Two Nicola White The ways in which Russell portrays the changes and developments in the characters of Rita and Frank in Act 1 scene 1 and Act 2 scene 1 of Educating Rita The play ‘Educating Rita’ written by Willy Russell explores the life of Rita, a twenty-six year old woman from a working class background, who is trying to find a new identity by becoming more independent, educated and cultured. Rita goes to the Open University and meets her

Educating Rita is the tale of one working class women 's struggle to find an escape to a boring, repetitive life and to find new things to conquer. To acheive this she begins university on a literature course despite the discouragement from family and baby-obsessed husband Denny. The play features only two characters, Rita and Frank. Frank- a middle class, well-educated, eloquent professor and Rita, an abrupt, crude excuse for a lady with no regard for or more precise, no knowing of social nouce

you want to change, y’ have to do it from the inside, don’t y’? Know like im doin” declares Rita in act 1 scene 1. How does the playwright show the changes in Rita, and in her tutor Frank, in two key scenes of the play (1.6 and 2.3) "Educating Rita" displays the major changes that occur in the main character, an initially narrow minded, outspoken and socially naïve Liverpudlian trapped by her working class life. Rita thinks an increase in intelligence and worldly knowledge will change this, and

How does Rita and Franks Relationship change between Act one scene 1 and Act 2 scene 1? Frank is a university lecturer and will be teaching Rita what she wants to know about literature and another world outside of her own. Russell has interpreted the character of Rita as a copy of himself. This is because he was also a hairdresser and went to a night school to do his O levels before he became a famous writer. When we first see Frank he is in his office and appears to be looking for a book on the

and change in one’s life. As one experiences new phases in their life, change is an implicit part of moving ‘into the world’. This is clearly demonstrated in the play Educating Rita, by Willy Russell, where Rita’s growth and change comes about with her education and experiences in her social, working-class life. The Devil Wears Prada, directed by David Frankes and an interview titled 2 of us, John van Tigglemen, also demonstrate how new stages of experience can bring about growth and change in

Educating Rita 1. When we are first introduced to Rita she is a hairdresser. How would you define her in terms of her social class? Support your ideas with examples from the film and elsewhere e.g. the most recent classification system used to define social class. (P2) I would define her in terms of her social class as a snobby person. She fits in a working class D, the way she speaks (language) is different the type of clothes she wears is different, she wears mini skirts. The