Chuck Broyles

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    Few novels encapsulate such a unique view of the world as One Flew Over the Cuckoo’s Nest. While the majority of the United States was in turmoil (the Cold War and the Vietnam War), Ken Kesey was working in a psychiatric hospital. Based on his experience as a night aide, Kesey wrote his first novel One Flew Over the Cuckoo’s Nest in 1962. One Flew Over the Cuckoo’s Nest presents a view of changing society unseen by most Americans. Life is explained through the eyes of Chief Bromden, a schizophrenic

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    The movie Fight Club was based on the story of a man, played by Edward Norton, that had unmanaged aggression. He met Tyler Durden, played by Brad Pitt, who was a different version of himself resulting from not releasing aggression. The result of not releasing aggression in a healthy way started symptoms, including insomnia and getting away from the self, the need for self destruction, and the need for physical release of aggression. These affect the relationship with one’s self, romantic relationships

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    In the process of critiquing the features of two major texts this year, I have established the presence of many aspects of one recurring key idea. Author Ken Kesey and director Peter Weir have distinctively conveyed the ideas of the dangers of conformity in their texts. One flew Over the Cuckoos Nest uses themes and major and minor characters to convey these key ideas, whilst Dead Poet’s Society achieves this through the use of film techniques. Kesey and Weir have together portrayed how the pressures

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    Palahniuk’s Fight Club and Orwell’s Animal Farm show how it is the nature of living things to rebel against the laws and normality of life. The novel Fight Club begins by introducing the main character, and describes his unhappiness in life. The narrator expresses that he hates his boss and feels like he has no purpose in life. While on a business trip he goes to the beach and falls asleep. When he wakes up he meets a man name Tyler Durden, who has spent most of his life rebelling against society

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    The portrayal of sanity and insanity, consciousness and unconsciousness, clarity and opacity in one’s psyche is one of One Flew Over the Cuckoo’s Nest’s most examined themes. The analysis of this theme, and Kesey’s commentary that extends from it, further asserts this novel as a classic according to Sainte-Beuve’s definition. Insanity is first introduced as a central theme in the novel through with the inherent unreliability present in Bromden’s retelling of the novel, as it is all told in a flashback

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    The Lucifer Effect in One Flew Over the Cuckoo’s Nest In One Flew Over the Cuckoo’s Nest the lucifer effect can be applied as a whole as the movie takes place in a state mental facility. The main idea behind the whole movie is about a man by the name of Randle McMurphy who served a short sentence in a prison farm for statutory rape of a 15 year old girl later being moved to the local mental institution while not actually being mentally ill in the first place. To identity the lucifer effect in the

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    Willie Sterner, son of Hirsch Lieb and Hinda Raizel Sterner. WIllie was born on September 15, 1919 in the city of Wolbrom, Poland. As a child he had six younger siblings by the names of Yosel Meyer, Abraham, Ida, Genya, Rochel and Sara. In 1929 their family moved to Krakow. His father happened to own a painting business in which Willie entered after his vocational school in Krakow. After the Germans invaded Poland in September 1939, Willie had to go to Pustkow labor camp. At Pustkow he

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    Edward Norton's nameless character in Fight Club, is a white collar slave hopelessly bound to serve society’s carbon copy idea of a normal lifestyle. Miserable, lonely, and unsatisfied, he yearns to feel alive. As a cry for help, Norton's character develops insomnia and depression causing him unconsciously to revamp his own persona to take control over his life as well as others. By adapting a course of action and using a combination of fear and love to subdue hundreds, Norton's psychotic character

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    Fight Club Masculinity

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    Over the years, Fight Club’s (Fincher, 1999) underlying themes have been discussed and argued about at great length. It’s fairly clear to most who watch the film that it is making a point about men and the exploration of masculinity, but it’s debatable whether or not the film is trying to glorify the acts, or represent a satire. Either way, the film portrays masculinity and, by extension, femininity in men in an extreme way within its cinematic means. The main idea of masculinity that the film considers

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    Sometimes, there are characters from television shows, movies, or literature that people may aspire to be or simply wish they were. This may be because of the characters’ traits or because of the opportunities these characters have. For me, if there were any fictional character I would love to be, it would be Blair Waldorf. Blair is a girl from the television show, Gossip Girl, who starts off as a teenager and ends the show in her early 20s, all the while maintaining her status in New York’s Upper

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