Costume design

I chose costume and make-up design with Hamlet because I love do to hair and make-up. It’s something that a majority of females do everyday. When at a play, the audience doesn’t seem to think a whole lot about the costumes and makeup. Sure they might think, “wow they look nice” or “their costume is so cool”, but they don’t really think about who designs the costumes or does the make-up for the actors and actresses; who creates the look of the character. It’s amazing to me that someone can take pieces

I did not sign up to this! I signed up for acting; nevertheless, there I was doing costume design instead of acting. I was irate, I had been cheated of my monologue slot, and I had been served the scraps of events. Costume Design, no one wants to design costumes. I read the stupid musical, I did not understand it at all, and this is 80% of my grade. However, I had to start somewhere so I began to read the musical. AIDA was Romeo and Juliet on steroids. The main characters were unrealistic however

Courtney Cox 5-4-10 THEA 1334 Final Paper Costume Design THE ROLE OF COSTUME DESIGN IN MUSICAL THEATER Imagine a classic Shakespearian play or Italian opera performed in hip-hugging jeans or baggy t-shirts; or imagine the period musical 1776, produced by the wonderful Stuart Ostrow, performed in the groovy attire of the 1970s. These performances would seem completely out of place and confusing. One would not be able to grasp the completeness of the story or have any understanding of the time

Beyonce Costume Design Introduction The chance to provide designs for a major star like Beyonce comes only once in a lifetime. Therefore, it is important to really do the research and understand her unique style and what she is trying to accomplish in terms of her image. Beyonce is clearly trying to bring back a very sexy and edgy image, which can be accomplished with the use of synthetic multifilament fibers like lame and Lycra in order to give her the strength and flexibility she needs in

Macduff, calls him a “rare monster” (Macbeth 5.8.29). If everyone could agree about one thing in regards to Macbeth, it is that through his actions he lost his innocence and consequently his joy. Shakespeare leaves the costume design for Macbeth in the hands of the director and costume designer. It is ironic however that some directors, such as Roman Polanski, allows Macbeth to be periodically dressed in white. For the color can represent innocence, purity, and joy. But Macbeth is none of these things

Vickrama Rajasinghe and Ahalepola Nilame. Nearly 25 basic costume designs has been created and more than hundred people has been costumed with a budget of two hundred and fifty thousand rupees in this film. Mainly the costumes are constructed for, 1. King, courtiers and soldiers 2. Sinhalese people 3. English officials and soldiers Both the stitching and draping techniques are being used in the construction process of the costume designs. Cotton and brocade fabrics are mostly used in the film. In

The Spectacle refers to the visual elements that make up a play: sets, costumes and special effects. Although costumes are only one small component in a play, I believe they are very imperative for the overall feel of the audience. The costumes worn by the performers portray the personality of the character along with the period of time of the play. According to a Canadian designer, Judith Bowden, “The main job of costume design in a production is to provide physical and emotional support to every

experiences of the women who were held captive after the Trojan War. There are many tedious details that went not only into the acting demeanor of this show, but for the costume, sound, scenic, and lighting design as well. Although there are four concepts of design in this show they all relate to the tone of the play. To begin, the sound design was a very intricate in setting the tone of the play. In the beginning before the actors first appeared on stage, they played a variety of music that played hand

The story of a girl who is held hostage by a frightening beast and then ends up falling in love with him is a tale as old as time. The live action version of the 1991 animated classic, Beauty and the Beast, is more than that though. The story portrayed in the live action film follows that of the animated version almost exactly. This musical romantic fantasy film, directed by Bill Condon, features an outstanding cast, which includes Emma Watson, Dan Stevens, Luke Evans, and Josh Gad, among others

in the Money Suit,” is a hand drawn sketch by R.H Burnside for a costume design idea, which was put into play at the Billy Rose Theatre in New York. The theatrical production for which this costume design concept originated, transpired in 1939; however, the image itself was drawn in 1923. The drawing portrays a man, positioned front facing, wearing a matching tuxedo and hat holding his arms out wide with white gloves on. The design of the suit coat, pants, and hat are all a simple checkerboard pattern