Dada

Research Essay Impact of 
WWI for artists-Paul Nash and Marcel Duchamp As a number of leading artists got involved in the War, most of the art campaigns stopped. Individual artistic creations became less radical and started to step down from abstraction to concrete representations. In particular, the program in which the government appointed the artists as war correspondents has resulted in some of the most exceptional artworks of this century. This is, perhaps, because the artists have been exposed

prior to World War One. Duchamp supports this idea of rebellion from tradition by defacing a piece of art that was so heavily valued before the war (Shearer). Duchamp is also famous for Fountain, which is another readymade work he transformed into Dada art. Fountain is a porcelain urinal turned on its side. Duchamp created it to submit to The American Society of Independent Artists, a group of which he was a founder, to be displayed in an art show that would showcase any art for a mere $6 fee. Duchamp

“World War I was not inevitable, as many historians say. It could have been avoided, and it was a diplomatically botched negotiation,” once said Richard Holbrooke, an American diplomat. Many people worldwide agree with Mr. Holbrooke, believing WWI to be a waste of human lives. Known for its ridiculous start, fueled by the assassination of Archduke Ferdinand, and its huge impact on numerous countries earned it the title of the Great War. Though many people considered it pointless and as a war with

Despite the fact that Dada was an impactful movement, it paled in comparison to art movements such as Modernism and Renaissance because during the early 20th century the world was too focused on war to appreciate art. The Dada movement went against Modern Art in a big way, so much in fact that the reason Dada is called ‘anti-art’ is because it was the opposite of modern art, which was considered the norm for art. While modernism promoted order and the natural way the world worked, Dada represented the

era for politics, society and art. Amongst the considerable number of people negatively affected by the dreadfulness of the war, many of them found different ways of expressing their repugnance towards the horrific routes that humanity had taken. The Dada movement in particular began not only as a reaction against the war but also as a commentary on the social circumstances that lead to it. This essay reflects on the context that allowed the art movement to flourish and the circumstances that lead to

Marcel Duchamp’s, ‘Fountain’ {1917}, is a readymade installation which undermines the conventional practices of art making and display, challenging notions and rejecting the classical aesthetic. Marcel Duchamp {1887-1968}, was a French artist who broke down the boundaries between works of art and everyday objects. His mockery for conventional aesthetic standards led him to devise his famous ready-mades, proclaiming an artistic revolution. The term “ready-made” came to label mass- produced everyday

and even the rejection of art it 's self. The term is thought to have been coined by pioneer of Dada, Marcel Duchamp in 1913 around the time he made his first readymades. (Tate.org.uk, n.d.). The idea of Anti-art has been seen through numerous art movements since, from surrealism, to Pop art; Minimalism, to Conceptual art; Performance art and all it 's sub genres. Dada was an art movement described by Dada poet Tristan Tzara as “not the beginnings of art, but of disgust.” The movement came into existence

shown in Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch. (Fig. 1) About Hannah Höch: Hannah Höch started her training in 1912 at the School of Applied Arts, in Berlin-Charlottenburg where she studied glass design; until the interruption of World War I. By 1915 she

Hannah Höch was a pioneer in many ways. As the only female member of the Berlin Dada group, she stirred up reactions by the use of themes such as androgyny and gender roles. As one of the founders of the photomontage art style, she expressed the turmoil of Berlin’s visual culture from a female perspective. Höch primarily produced collages, often with the intention to dismantle the unequal “beer-belly” culture that, despite progressive ideas included strict social roles. A common theme in her works

How are the tensions between social classes and/or genders dramatised in Modern European Drama? Social class and gender roles, were and still are today, a key element in the progression of theatre. Dada and Futurism, as movements in theatre took place at the time of the social class war, the prejudice against women and their rights and the struggle to create an equal society. The two movements, of avant-garde style contained three stage in which they were able to create; ‘analysis…engagement…forward