Danforth Avenue

once Elizabeth lied about the lechery, it made his accusation sound like a lie. Danforth explains to Abigail, “But likewise, children, the law and bible damn all bearers of false witness” (Crucible. 3. 614-616). Danforth explains in court that lying is not called for, nor is it welcomed in court and religion. Danforth says this because he can then connect law to religion as a church and state collaboration. Danforth tries to intimidate

Arthur Miller establishes as fear as a driving force through the dominating and vindictive stage directions of Abigail Williams to show her fear of losing power over individuals. Abigail Williams is driven through power and domination of her ‘friends’ and especially John Proctor. Abigail’s particularly feels bound to fearing the loss of power, motivating herself into revenge and therefore vindictive nature. Miller utilises the stage directions such as ‘in a temper’ and type of ‘anger’ or violence

INTRODUCTION This report uses operations research methods to prioritize the installation of transit accessibility upgrades on the Toronto Transit Commission subway system. The distance people with mobility challenges must travel to accessible stations was minimized during incremental system improvements using nonlinear programming with binary decision variables. The process was performed using Excel’s Solver feature, and based on TTC data and distance data scraped from Google Maps using the gmapsdistance

A wise philosopher named  Friedrich Nietzsche once said, “even today a crude sort of persecution is all that is required to create an honorable name for any sect, no matter how indifferent in itself.” People who are guilty of nothing spend their entire lives trying to uphold an honorable name, but depending on the circumstances they may have to sacrifice their life in order to do so.  In The Crucible by Arthur Miller, people in the town of Salem, Massachusetts are put through severe trials to see

but there aren’t any valid reason to murder anyone. Their overall action of vengeance and retrieval of their family’s honor goes against their religious beliefs. This can also be seen in The Crucible as the town, more specifically Deputy Governor Danforth threatens the accused that “You will confess yourself or you will hang!” (Miller 487). Judge Hathorne, meanwhile, has to enforce

accused of witchcraft at anytime for any reason, and there’s not much you can do about it. Keeping your head down, and not making eye contact with people was a good idea in Salem, as this was the rule in the town. This place was so messed up that judge Danforth states in court, “You must understand, sir, that a person is either with this court or he must be counted against it, there be no road between. This is a sharp time, now, a precise time—we live no longer in the dusky afternoon when evil mixed itself

I believe the truth matters more than a man’s good name. If a man lives for a great name, how can they lie their way through life and say they died with a good name. In an extreme circumstances, people may use a “white lie” to save themselves and their name in a situation. People in our society live off a good name. You need a good name to be able to get through in life. If a person is arrested, they will have a charge when they are searched up for a job, school, etc. That person's name will be “marked”

Scene One of A Streetcar Named Desire What is the dramatic significance of scene one of the play A Streetcar named Desire? Scene 1 of this play has great dramatic significance. In this essay, I will be looking at key points throughout the scene that reveal the key features of the plot, characters, theme and imagery plus how it is used to give the audience a taster for what is to come. Scene one is set in New Orleans, I feel this is used because in peoples mind beforehand it has a strong

The characteristics of anger in literature appear in many literary works. Anger in literature is characterized by the struggle against the establishment, values, conventions and authority. The 20th century modern playwrights focused on many themes such as: the theme of social critic against middle-class values, theme of violence, damage, rage, hatred, loneliness and frustration. The protagonists are mostly of the working-class or of lower middle-class origin; who view society with contempt and ironic

Philip C. Kolin, an English critic and author, hailed Streetcar as: “the most creative new play….the one that reveals the most talent, the one that attempts the most truth. Not surprisingly, Streetcar quickly became a staple on the world stage, one of the major theatrical experiences and experiments of the twentieth century” (Kolin2). Streetcar Named Desire was published just after World War II. When the play came out, the country had just emerged from the war after struggling through the Great Depression