Dilip Chitre

Sharma. Then Devadasu a 1953 film directed by Vedantam Raghavaiah, film was shot simultaneously in Telgu and Tamil with slightly different casts. The most prominent version after Barua’s masterpiece was undoubtedly Bimal Roy’s 1955 Hindi film, starring Dilip Kumar in title role, Vyjayanthimala as Chandramukhi and Suchitra Sen as Parvati in lead (which followed the novel closely) and considered by many to be the most faithful adaptation of the novella is still considered a classic of the celluloid screen

Sharma. Then Devadasu a 1953 film directed by Vedantam Raghavaiah, film was shot simultaneously in Telgu and Tamil with slightly different casts. The most prominent version after Barua’s masterpiece was undoubtedly Bimal Roy’s 1955 Hindi film, starring Dilip Kumar in title role, Vyjayanthimala as Chandramukhi and Suchitra Sen as Parvati in lead (which followed the novel closely) and considered by many to be the most faithful adaptation of the novella is still considered a classic of the celluloid screen

“Father Returning Home” by Dilip Chitre and “Coming Home” by Owen Sheers are two poems which explore on the theme of Time and how it affects filial relationships. In “Father Returning Home”, there is a resonance about the lack of comprehension in the modern world and the exclusion of the father’s generation as time goes by. Similarly, in “Coming home”, Sheers suggests that age difference plays a vital role of how family relationships can gradually change over time. The passage of time is as swift

After Amnesia, 'Of Many Heroes' A dominated culture learns not just to be like the culture that dominates it, but also tries to cover its own surroundings. In such cultural encounters, amnesia plays the most important role in defining the self-perception of cultures. G. N. Devy's After Amnesia, first published in 1992, offers an keen study of contemporary literary scholarship in Indian languages by indicating how modern Indian languages 'learnt to forget' that literary criticism had been discarded