Direct Cinema

PART C 3.0 Introduction India is a developing country and thus the step at which development occurs would clearly be more than that of the developed countries. India thus is a perfect fruitful soil for any new business to bud up and display. It should be highlighted that when recession interfered as an unwanted guest into the global economy, the Indian economy succeeded in surviving with insignificant minor injuries. India is a nation which has a bright history of wonders to showcase who excelled

activism in following a group of working-class female service labourers and feminist activists attempting to draw attention to their issues to build a union. The film utilises documentary style, simple mimesis and minimal editing to build a more direct connection between the subjects and the audience. Using the stories of real female cleaners and showcasing the most abject of the labours, such a toilet cleaning, Night Cleaners presented a ‘warts and all’ perspective on women’s work. While working

popular and important film theory 's that it still around today is Third Cinema also known as the Postcolonial theory. Third cinema emerged in early 1960 through the 1970 's in Latin America and was seen as a militant tool leading to freedom and a revolution. Third cinema was not only about films rather it was about literature and artwork as well as political manifestos written by filmmakers. The whole idea behind third cinema is that it “refers to the colonized, neo-colonized, or decolonized nations

Vanessa R. Schwartz, Gyan Prakash, and Camilo D. Trumper are authors who wrote books on urban globalization in different cities around the world. All three historians used cinema and film as part of their evidence in support of their different arguments. Schwartz, Prakash, and Trumper, however, agree that filmmakers created realities, either as entertainment, political messages, or reflections of their city. For Schwartz, Prakash, and Trumper, film reveals intimate details about cities during the

Madan had made a lot of money as he had assimilated the rights to show films from overseas studios. Madan was also the first to establish an India’s first purpose-built cinema in 1907 called the Elphinstone Picture Palace in Kolkata. Madan film businesses grew to dominate the film industry in the 1920s and 1903s. But the Indian film industry had not only started with just Indian film-makers but also foreign film-makers

Introduction Bollywood is the film industry mainly found and produced in India. Bollywood is also known as Hindi cinema. The term Bollywood sounds similar to the United States film industry ‘Hollywood’ and while they can have some similarities and differences, the titles of the film cultures are not related. Bollywood has been affected in several ways by the Hindi culture. Gender roles play a large part in the countries standards, and these gender roles are also represented in the film industry.

decency or morality, or in relation to contempt of court, defamation or incitement to an offence.” This means that the government can potentially censor anything. No other form of expression has had so many run-ins with these constitutional mandates as cinema. In India the National Cinematograph act (1952) lays down the guidelines to be followed during certification of films. It comes under the National Film Development Corporation (NFDC) which in turn comes under the jurisdiction of the Ministry of Information

legal framework. Under the applicable law in India, there is no restriction on private equity investment into film making directly, without routing it, via venture capital regulations as venture capital. However, there are issues involved with such direct (non venture capital regulations routed) investment, which they could avoid by operating via applicable venture capital regulations. Corporatization of the Indian Film Industry has led to increased

Street Angel (1937) present? What does it say about issues involved in "modernization"? What symbols are portrayed in Street Angel (1937) Introduction Every country has specific famous era in which their cinema portrays the reality of their society, the 1930 's was the era in which China 's cinema bent itself towards portraying society and modernization. A lot of distinctive features developed by Chinese film over the last hundred years are the result and testimony of the particular kind of interaction

Bicycle Thieves (1948) is the story of a father and his desperate search for his stolen bicycle, without which he faces poverty and an inability to support his young family. The film was directed by Vittorio De Sica, who co-wrote the screenplay with Cesare Zavattini, based on the novel of the same name by Luigi Bartolini. André Bazin (1971) notably champions the view that it is a 'true masterpiece' of Italian neorealism, to which it was a relative late comer, in fact he insists that De Sica had reignited