Double play

The film Double Indemnity (1944) opens up at night with Walter Niff (Fred MacMurray) an insurance salesman in 1938 is dictating a confession of murder. Told in flashbacks we see him meet an attractive married woman, Phyllis Dietrichson (Barbara Stanwyck), Niff is there to update their insurance policy, but instead plot together to kill her husband and swindle the insurance claim for $100,000 by evoking a double indemnity clause. Orchestrated by Niff who considers this a challenge to beat the system

Waltz,” Theodore Roethke illustrates an image of a father-son romp around the kitchen that is both harsh in its play and delicate in its memory. Roethke illustrates the poem’s images from his own childhood memories. Roethke uses simple words to create puzzling phrases that could be interpreted in different ways. The poem is ambiguous due to certain word choices that have baffling double meanings. Roethke’s poem paints an image of his childhood interactions with his father. Roethke paints this picture

1 As society changes, our legal system evolves with it. Prior to the Criminal Justice Act 2003, the principle of double jeopardy meant that a person couldn’t be tried a second time. This act amended this principle, allowing serious crimes, such as murders, to be re tried if some new evidence became available.We will be asking ourselves if these amendments has greatly improved our system of justice, by focusing on why these amendments were made and whether the advantages of such a reform prevail on

The double bass, to a non-musician, can just look like a giant guitar, but in reality it is less like a guitar and more like a giant violin. The double bass is the biggest of the violin family but emanates a lower pitch than most of the other family members. The solo “Pirates Of The Caribbean Double Bass Solo” is an awesome example of how this instrument can tell a story just with its notes. This melody is not an easy one to remember, it can be very complex since it has so many different notes

A Cry of Players is written by William Gibson. The first production of the play took place on July 24, 1968 at the Berkshire Theatre Festival in Stockbridge, Massachusetts. The Repertory Theatre of the Lincoln Center then presented the production on November 14, 1968 in New York City. Both productions were directed by Gene Frankel. The songs and incidental music for A Cry of Players written by Peaslee was written for piano and voice, but written instructions on the first page explain that the piano

Within Middleton and Rowley’s The Changeling the selective use of language accentuates various ideas and notions, demonstrating the capability words have in manipulating perceptions. It is the strategic placement of double-entendres on behalf of DeFlores that greatly affect consequences, as disguising his lustful intents as honesty aids in the damnation of himself and Beatrice. Although deceiving in nature only to Beatrice, through the insertion of asides, only the audience remains knowledgeable

though his use of dynamics. At 3:32, the violas begin playing very loud at ff. After this the other instrument groups have delayed entries with loud fortissimo dynamics. This is seen specifically at 3:32 to 3:45, when a violin and cello group begin to play but are not joining in at the same time. These delayed entries combined create a sense of high tension. The additional instruments playing increase texture and thus increases the volume. Due to these loud dynamics, an image of pain and horror can be

deeper meaning in this passage. When considering these devices alongside Claudius’ and Polonius’ attitude toward and treatment of Ophelia, the reader can see that this passage is not simply about Hamlet’s outburst at Ophelia. The motifs, structure, double entendres, and other devices used throughout the passage highlight the negative treatment of Ophelia by the other characters and ultimately foreshadow her eventual decline in mental health and suicide. The passage begins with Ophelia crying out “O

Vertigo and Body Double are two films that were released decades apart, yet they have similar themes that are still prevalent in our society today. They both portray topics such as phallocentrism and social patriarchy. Moreover, they also are a perfect example of how directors, through film technology, can impact in an individual. It is evident that social problems have remained unchanged for long periods of time. The male figure controlling the female figure, and objectifying them as sexual objects

Violin The violin is the smallest of the string family. It also makes the highest sounds. Usually there are more violins in the orchestra than any other instruments. Violins are divided into two groups: first and second. First often play the melody, while second violins change between harmony and melody. The size of an ordinary violin is around 60 centimetres long. The violin is played by resting the violin between your chin and left shoulder (on the chinrest). You hold the neck of the violin and