Dracula

Bram Stoker's 1897 novel Dracula is a paradigm gothic horror text. The novel investigates the mysteries of Vampires and evil in the world, this is portrayed through the diverse array of character's perspectives. It contains many text types including journal entries, letters and newspaper articles. The reader is taken on the quest alongside the characters to locate Count Dracula. This novel uses many gothic horror elements such as castles, isolation, eeriness, mystery and graveyards. Two events which

Dracula is the infamous vampire, that readers were first introduced to by Irish author Bram Stoker in 1897 when they read his novel Dracula (Stoker). The author conveys the story of Count Dracula, a mysterious being that is half man, half vampire that sucks blood from the neck of his victims to stay alive (Stoker). This novel is an outstanding masterpiece of work, which is why it has been a prototype for various movie releases over the decades, such as Nosferatu, Horror of Dracula, Dracula A Love

Compare/Contrast Dracula and Bram Stoker's Dracula A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study. Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields

history, vampires have been evil and hideous monsters as portrayed in many pieces of literature including Bram Stoker’s Dracula. In the novel, Dracula, Stoker’s use of language and imagery shows how the main protagonist, Dracula has the characteristics of a monster. The first piece of evidence for why Dracula has the characteristics of a monster is when Stoker describes Dracula as being a mysterious monster that has many unknown powers who is extremely strong, intelligent, wise and everything he

In the novel Dracula by Bram Stoker, the role of Christianity and Catholicism is evident throughout the novel. The actions taken by one of the characters in particular, Dracula, the antagonist and vampire of the story are quite similar to many of the characteristics seen in Christianity yet they seem to be darkly distorted. The character of Dracula can be interpreted as the anti-christ of the tale, even his name "Dracula" translates to "Son of the Dragon". Contrary to the actions and beliefs of anti-Christian

individuality and freedom. Victorian society in its time period took on an extremely conservative behavior. Sex and womanly freedoms were strongly controversial topics. The society encouraged an overall chaste and modest lifestyle. Since Stoker wrote Dracula in the late 19th century, it left the expectations and standards for women immeasurably limiting. From this, stemmed gender roles and other inequalities between the sexes which meant

The way by which Dracula feeds, for instance, echo the mechanics of sexual intercourse: he waits to be beckoned into his victim’s bedroom, then he pierces her body in a way that makes her bleed. In the mind of men, this act has the same effect as a real sexual encounter—it

two gothic tales ‘Carmilla’ and ‘Dracula’ in relation to cultural contexts in which they exist as being presented to the reader through the gender behaviour and sexuality that is portrayed through the texts. Vampire stories always seem to involve some aspect of sexuality and power. Joseph Sheridan Le Fanu wrote Carmilla. It was first published in 1872 as part of the collection of short stories titles ‘In a Glass Darkly.’ Carmilla predates the publishing of Dracula by 25 years. Laura, who is also

Bram Stoker wrote the infamous novel, Dracula. This novel was composed in the style of letters, journal entries, newspaper articles and telegrams in order to convey to the reader a realistic story. The story of Dracula is about an ancient vampire who moves to London from his native country of Transylvania. In London, Dracula seduces and bites a young woman by the name of Lucy Westenra. When Lucy falls sick, no one knows how to help her because while Dracula has bitten her many times she has always

undeniably bifurcated the biological differences between men and women socially and spatially. Any woman who did not fit within a patriarchal concept of what constituted the proper woman became a female pariah, ostracised from society. In the novels Dracula, by Bram Stoker, and The Blood of the Vampire, by Florence Marryat, the characterisations of the female vampires seem to either support unfavourable criticism