Ed Westwick

LIGHTS, CAMERA, ACTION! For decades, Hollywood had been considered the place where dreams come true. Women who wanted fame and money went into the entertainment industry to make their dreams come true, getting money, and having fame e entertainment industry to make it happen, but at what cost? Up and coming actresses did not expect their diginity and pride would be stripped from them in just a matter of days, weeks, or  months. Soon these actresses learned the horrifying truth about Hollywood. Sexual

If I were to choose a character to be my best friend, I would choose Rudy Steiner. First, he clearly doesn’t care what other people may think of him, as evidenced in the Jesse Owens incident. He knew he would be made fun of, but he wanted to honor Jesse Owens, so he did it. His determination and loyalty are also shown in many instances. In Hitler Youth, he was constantly knocked down for defending his friend Tommy, but always stood back up. Even after facing rejection from Liesel, he stayed

’ (1.5.55). The fact that he recognises them in a masque party shows his accustom towards Montague’s way of speaking. Figure 4, Tybalt appears (0.25) As the trailer moved from a mellow romantic atmosphere to a close-up shot of Tybalt, played by Ed Westwick, the audience is brought back into the violence of Shakespeare’s play. Carlo Carlei’s trailer includes narrations like, ‘ He's Romeo, the only son of our great enemy.’ (0.27), using words like ‘enemy’ to emphasize the

Post-feminism Post-feminism can be best described as, “an expression of the belief that feminist thought is now (at best) divisive and mean-spirited, and in any case, no longer necessary because the main aims of feminism have been achieved: men, and women are now social equals” (O’brien & Szeman 395). Post-feminism is portrayed in the show Gossip Girl. In the show, post-feminism is something that is shown throughout the entire series; specifically it is shown by how the female characters are

O Romeo, Romeo! What has Julian Fellowes done to us Romeo? ‘Romeo & Juliet’ (2013); Adapted by Julian Fellowes, Directed by Carlo Carlei Reviewed by Daniel Abela Vapidity and dullness thrives in the latest big-screen adaptation of Shakespeare 's timeless tragedy since Baz Luhrman 's quirky yet passionate ‘Romeo + Juliet’(1996) and Franco Zeffirelli 's true-to-fashion classic, ‘Romeo and Juliet’ (1968). Adapted by Julian Fellowes, creator, producer and writer of the multiple award-winning British

Jane Austen’s Pride and Prejudice tells the story of the agonizing romance between Elizabeth Bennet and Fitzwilliam Darcy. In eighteenth century class-conscious England, wealthy families married for money and a stable reputation. Many critics argue that people no longer marry for money but instead for love. However, sugar mommies, daddies, and babies are more prevalent in the twenty-first century than is publicly shown. Cecily von Ziegesar’s Gossip Girl, originally chick literature turned major drama

The title of The Book Thief fits the book very well. First of all, it sounds intellectual, which lets people know the type of reading they are about to be doing when they sit down with this book. If someone was looking for a light, fun read, this tells them not to pick this book up. Also, the phrase “the book thief”, comes back many times within the novel, whether when Death is referring to Liesel, or when Liesel titles her autobiography after her unknown nickname. Character If I were to choose