Eleanor Estes

In the same way that great grown-up writing, great youngsters' writing – as it is characterized here – speaks to an investigation of life, affirming, lighting up, or augmenting background or a few parts of the human condition (Vandergrift, 1990), thus its acculturating quality. One normal subject in kids' writing is creating and administering associations with others. Great samples of this are Eric Carle's The Bad-Tempered Ladybird (The Grouchy Ladybug in its American release) and Arnold Label's

The Maker’s Eye: Revising Your Own Manuscripts Donald M. Murray Born in Boston, Massachusetts, in 1924, Donald M. Murray taught writing for many years at the University of New Hampshire, his alma mater. He has served as an editor at Time magazine, and he won the Pulitzer Prize in 1954 for editorials that appeared in the Boston Globe. Murray’s published works include novels, short stories, poetry, and sourcebooks for teachers of writing, like A Writer Teaches Writing (1968), The Craft of Revision

Every teacher’s worst nightmare – that is the setting to which Madame (whatever you do don’t call her Mrs.) Esme Raji Codell stepped into as her first job fresh out of college. In this sink or swim world Esme, unknowingly, became a lifeguard to thirty youngsters, as she seemed the only one who could protect the children from the rough waters that are inner city Chicago. Through studying her very candid and personal diary, I am awe stricken by her extraordinary display of pedagogy as she exemplifies

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