Étienne-Jules Marey

of making a sequence of still pictures appears to move. The intervals of darkness necessary for the illusion of motion are provided by the turn, or flip of each page. The nineteenth-century photographic experiments of Eadweard Muybridge and Etienne-Jules Marey broke down the movements of animals into a series of still pictures. When displayed in rapid succession, these pictures appear to be moving, recreating the original motion that the images document. Moving further in the exhibition, we looked

Étienne-Jules Marey, a French scientist who is best known for his invention of chronophotography, was born on March 5, 1830 in Beaune, France. Marey first started his work by studying blood circulation in the human body. He then became more focused on the analyzation of heart beats, respiration, myography, and the movement of the body. Marey considered the body an animate machine, and wanted to breakdown the concept of movement. To study the precise movement of the wings of an insect, Marey constructed

The History of film has been influenced by the discovery and testing of paradoxes intrinsic in the medium itself. machines are used record images of anything; it combines still photographs to give the appearance of continuous motion; it seems to present life itself, but it also offers unthinkable unrealities approached only in dreams. The motion picture was unfolded in the 1890s from the union of still photography, which records actual reality, with the persistence-of-vision toy, which made drawn

Low culture event: Movie Theater Introduction There are various forms of storytelling that fall beneath a commodity whether it be located in a museum or a movie theater – which incites numerous meanings of culture for individuals from different classes and societies. Entities and products begin to tell stories about history, stories that provoke emotions - which provokes laughter, sadness, befuddlement, enmity and so forth. Stories that can be articulated through literature, can also be told as

Eadward Muybridge and Cornelius Jabez Hughes, two photographers of the 19th century, introduced revolutionary ideas impacting the way photographs could be taken, categorized, and used. Muybridge, better known as the ‘father of the motion picture,’ studied landscape photos and invented a device that drastically improved their quality. In addition, he helped to pioneer work in the studies of motion and motion-picture projection. Hughes developed new technology related to photography and helped to guide

After the motor car was invented the world thought they could do just about anything. Men had always dreamed of taking to the sky and soaring like birds, now they could. On December171903 in Kitty Hawk, North Carolina this dream became a reality when the Wright Brothers, Orville and Wilbur, discovered a way to fly, making the world a little bigger. With the invention of the first flying machine and their investigation into aeronautics, the Wright Brothers, paved the way for the future of flight.

Modernism is characterized by the rejection of tradition. Creatives of the Modernist era questioned what came before, looking for fresh ways to interpret familiar subjects, rejecting historical themes while searching for a means to understand and communicate the present (Medina 1995). Furthermore, Belting (2003, 17) states Modernism embraced “all the crises and schisms of the modern world”. The key points of this paper will be ascertained through the evaluation of four European Modernist artworks

‘Loss of cultural diversity is an undesirable consequence of international interaction’ Introduction ‘Loss of cultural diversity is an undesirable consequence of international interaction’ this statement can be explored by looking at a cultural element, more specifically the cultural element of Hollywood/commercial film. Culture refers to the behaviours, beliefs, attitudes and traditions shared by a group of people and that are passed on from one generation to the next. The integration of the

Plays and dances had elements common to films- scripts, sets, lighting, costumes, production, direction, actors, audiences, storyboards, and scores. They preceded film by thousands of years. Much terminology later used in film theory and criticism applied, such as mise en scène. Moving visual images and sounds were not recorded for replaying as in film. The camera obscura was pioneered by Alhazen in his Book of Optics (1021),[2][3][4] and was later perfected near the year 1600 by Giambattista