Euripides Electra Essay

Even to the point where Electra manages to Show herself as victim in order to carry out her revenge. 4. p. 388 To understand this excerpt we first have to look to the myth of Danae. She was the daughter of King Acrisius. And Acrisius was unhappy because of the lack of his male

To honor their gods the ancient Greeks created wonders that forced them to make advanced technology structures. The theater architectural designs of the ancient Greeks have been adapted and modified throughout the years by numerous other cultures. There are three main structural elements that complete a Greek theater; those include the theatron, the orchestra, and the skene .One of these was the Epidaurus theatre built to honor the God Dionayrs . It is considered to be the greatest theatre in Western

Justice in the Oresteia Justice is often taken for granted in the world we live in today with a judicial system that gives fair punishment for most crimes. In the Oresteia justice works much differently, where there are no judges or a court system to resolve disputes, instead there is revenge. Revenge is very messy because somebody will and has to get hurt first to desire revenge, and it leads to a cycle that cannot and will not end until everybody is dead. Justice does

Have you ever acted out in retribution for something done to you? Some examples could be if you punched someone for intentionally kicking you, or if someone deliberately hurt the feelings of someone you love and you retaliated in kind. You probably thought the punishment you received for your actions was too harsh or lenient. Many factors went into the decision of what discipline you received for this act and some were fair while others probably were not. This is true for the actions of many people

other than that of Aegisthus. Orestes is basically forced into killing his mother and Aegisthus by Apollo and people around him like his sister Electra and the Chorus as well as his friend Pylades. In the beginning of Liberation Bearers, Orestes comes back and encounters his sister Electra at their father’s grave. During their reacquaintance, Orestes tells Electra that he has been ordered to kill Clytemnestra and Aegisthus by Apollo, “…if I failed to kill my father’s killers…….to kill the two of them

In the Oresteia, revenge drives the characters to act. Although they call it justice, it is not. Aeschylus uses net imagery to symbolize faith and destiny. When Clytemnestra murders Agamemnon and Cassandra, the net imagery acts as a symbol of terrible fate. However, then fate reverse. Now, Orestes is caught in Apollo’s net and kills his own mother. Lastly, Athene changes the meaning of the net from one of chaos to that of order and justice. These uses of the net imagery help the reader focus on a

heroes only suffer because of it. They die tragic, dishonourable deaths; their households are left in ruin; their families are torn apart. From both modern and classical perspectives, the Trojan War is a tragedy, a “harrowing destruction of life” (Euripides, Andromache, 291). The victory is pyrrhic, the loss of life is horrific, the reparations non-existent. The destruction of Troy and the massacre of the Trojan is the most obvious and inarguable facet of the tragedy of the Trojan War. There is a single

The chorus’s perspective of justice works differently in Euripides’ Medea and Aeschylus’ The Libation Bearers. In both The Libation Bearers and Medea, the driving force of vengeance links the chorus to each of the play’s protagonists. For both plays, the choruses begin with a strong support of their heroes with a belief that the course of action that those characters are pursuing for the sake of avenging the wrongs done to them or their families is just and right. The chorus of Medea, however

Sophocles' Electra   The act of revenge in classical Greek plays and society is a complex issue with unavoidable consequences. In certain instances, it is a more paramount concern than familial ties. When a family member is murdered another family member is expected to seek out and administer revenge. If all parties involved are of the same blood, the revenge is eventually going to wipe out the family. Both Aeschylus, through "The Oresteia Trilogy," and Sophocles, through "Electra," attempt to

Oresteia: Suffering Into the Truth Oresteia is a script whose story goes on by recalling Orestes’ lost memories. The main idea which is prevalent throughout this story is about finding the truth hidden in the acts of revenge, lies, and fates which are intricately intertwined. However, as the truth does not always give us hope and pleasant, in this story, the characters are suffered by the truth and the way to find it. Orestes’ father, Agamemnon, is suffered for the truth of the prophecy, the child