Feigned madness

During the early nineteen forties, war was raging throughout the world. Countries sought to obliterate each other and eradicate all forms of existence outside of their own perimeter. While bombs were being dropped by the hundreds and bullets being fired by the thousands, families back home yearned for the safe return of their newly drafted instruments of war: their husbands and sons. The soldiers of the Fighting 256 Squadron fight their desperate battles against the odds, against the battles of

Reactions to Patriarchal Oppression by Jane Eyre and Bertha Mason Missing Works Cited   Jane Eyre and Bertha Mason are both oppressed by the British patriarchal system were men are the makers, interpreters, and enforcers of social and political rules. However, these two women differ greatly in the ways that they accept and cope with the reality of their place in society, and it is these differences that ultimately determine their fate. Jane Eyre follows the rules. Although she initially revolts

Written in Latin, it reflects classical Roman concepts of virtue and heroism, and was widely available in Shakespeare's day. Significant parallels include the prince feigning madness, his mother's hasty marriage to the usurper, the prince killing a hidden spy, and the prince substituting the execution of two retainers for his own. A reasonably faithful version of Saxo's story was translated into French in 1570 by François de Belleforest

William Shakespeare's Hamlet 'Hamlet' is a play written by William Shakespeare in late 15th or early 16th century. The main character Hamlet faces many difficulties, which cause him to doubt life, question death and look at human characters. The main problem, which in turn leads to others along his journey, is when he encounters his dead father in the form of a ghost. He tells Hamlet of his murder by his brother who is now married to his widowed wife, Hamlets Uncle and

Importance of Thinking in Troilus and Criseyde and Hamlet Troilus and Hamlet have much in common. Both have represented the quintessential tragic heroes of two literary periods. Both lovers, Troilus and Hamlet lose what they love despite their earth-shaking groans. Both are surrounded by traitors and are traitorous in kind. Both are embattled and--this is no secret--both die. But somewhere on that mortal coil on which they are both strung, they confront a similar question, a question which