Feminist dynamic

the ground of equality of the sexes. The laws claims to neutrality and objectivity have been challenged by the Feminist Judgements Project using immanent critique to expose gender bias, reflecting the widely held belief that society will remain underrepresented whilst the legal system is male dominated. The ‘dynamic and innovative’ project involves the creation of alternative feminist judgements to significant English cases. Within this essay I will use the “landmark judgement” of R v A (No 2)

undermined by the diversity of region and class groups, and by the similarity and interconnection between American and European art. Though in the course of the book the emphasis for countering this unified distinctiveness had tended to focus on dynamics of changes over the century and socio-economic distinctions. This focus socio-economic changes also ties to her reaction on the social content in arts books. From her writing in the book, it seems that she bemoaned the tendency of a number histories

Our topic was on the social and social psychological dynamics of sexuality and gender in the patriarchal system, so we related this to Chapter 4 in Dude You’re a Fag: Compulsive heterosexuality, Masculinity and Dominance. We use many examples from the book which relate to many relief examples occurring all over in today’s society, as well as including a discussion of how certain feminist are trying to pin point and make changes too this issue. Masculinity is constructed in ways that marginalize femininity

feminism is, due to this, a fundamentally exclusionary philosophy. Cheryl Butler, in her essay applying critical race feminism to the question of the sex trade and sex trafficking in America, reveals the holes in liberal feminist theory. She specifically calls out how “liberal feminist perspectives on prostitution have focused on… the need to protect the rights of women to choose prostitution,” and, in doing so, ignore “how racism and other factors obscure choice for women of color in the United States

the fifty years between the JFK assassination and a Kardashian selfie breaking the internet, two women — representing different cultures, races, times, and attitudes — created two individual pieces of art that became living commentary on the power dynamics at play in their world. In 1964, Yoko Ono challenged both societal convention and the artist/audience relationship in her exhibit Cut Piece, and decades later Kara Walker’s Sugar Subtlety, 2014, challenged preconceived notions of racial symbolism

Immediately after suggesting that feminist discourse in regards to gender is shifting to a global South perspective, Connell argues that “there cannot be a uniform 'Southern theory of gender'” (61). This statement suggests that not only is there already a uniform Northern theory of gender

piece is an “operatic fairytale about cannibalism in Middle America” which combines everyday life with the macabre to construct “a world of divided reality.” Possibly in Michigan is identifiable in its time as a postmodern feminist piece due to its grouping with other feminist artists at the time, as well as its ability to serve as aesthetic-based and socially-aware art that participates “broadly in the culture;” an issue that plagued female artists through the 1970s. Cecelia

One view of the Materialist Feminist is that women are taught to see their bodies as commodities. This is very true in Jane The Virgin concerning Petra. They would have liked that Petra uses her body to get what she wants and to get where she wants to be. Her mother is always mentioning

Annie Liebovitz's Women After reading a book on various feminist philosophies, I evaluated Annie Liebovitz's book and collection of photographs entitled Women according to my interpretation of feminist philosophy, then used this aesthetic impression to evaluate the efficacy of feminist theories as they apply toward evaluating and understanding art. “A photograph is not an opinion. Or is it?” So begins Susan Sontag's introductory essay to the book Women, a collection of photographs by Annie

Reproduction of Mothering: Psychoanalysis and the Sociology of Gender, published in 1978, remains one of Nancy Chodorow most influential works. Chodorow establishes in “The Psychodynamics of the Family” her interpretation and analysis of the heterosexual dynamic within the social and familial context, and the effects of mothering, manhood and womanhood on the perpetuation of the family. The article is structured in three parts: “Oedipal Asymmetries and Heterosexual Knots”; “The Cycle Completed: Mothers and