Film techniques

In the movie memento it pretty much tells the story in reverse. Thoughts on the movie are also subjective since we don’t really know who killed Leonard’s wife. We are in a way put in Leonard’s shoes when we watch the movie because the movie gives us information in puzzle pieces just so we can understand what he is going through due to his memory loss. Sounds and images in the movies at times don’t go together, images move backwards while sound moves forward. The movie is also very suspenseful and

When humans watch films, the emotional connections made with the characters on screen play a big part in our perception, and reaction to the motion picture. In fact, for most films, the depth and strength of the characters makes the difference between a good movie, and an excellent one. In the film The Royal Tenenbaums, director Wes Anderson is able to bring to life a series of extraordinary characters that interact with each other to create an entertaining and thought provoking story about the hardships

Tim Burton is an exceptionally amazing filmmaker . He uses techniques that are different from filmmakers around him. Tim Burton was born on August 25 , 1958 in Burbank , California . He loved video games, being creative with many other things. With his strange childhood , and his creative outlook on life brought us a film style we grew to love. How can I describe Tim Burton's filming style, and how it affects the story ? His style celebrates the misfits in the story , with also having a gothic

horror films are those that appropriate the aesthetic of observational documentary cinema’s handheld camerawork” (Raimondo, 2014, p. 66). This aesthetic of the camera playing a big part in the movie and the movie being shot by a character mimics how a video would be shot in a real situation, thus making the events of the movie more relatable and horrifying. It possesses many qualities that make the movies more engaging and frightening. Therefore, in this essay I will be analysing 2 films (The Blair

without saying much. In his film Rebecca, the director wants to hint at the shrewdness, or the mean traits within a particular character, and he achieves this by simply having the lady put out her cigarette, in something cold and delicate such as cold cream. By showing this visual, the director allows us to understand what type of character this lady is; without

Initially the film presents as a cinematic memorial to Treadwell even going so far as the places name and date of birth and death on the lower third of the screen which acts like a gravestone in the opening shot of the movie. This commeration continues throught the film but as with other aspects of Treadwell's personality Herzog works to complicate and at times undermine Treadwell's approach to the natural world he achives this a number of different ways but primarily uses juxtaposition between interviews

and directed by Orson Wells, where he also played Charles Foster Kane was told in a series of different Narrative sequences. It details the life of Charles Kane. The film did challenge traditional techniques and elements in so many ways that it became something special of its time. His use of depth of field sets it apart from other films and very ground-breaking for its time. One specific scene that sticks out for me is when the banker Mr. Thatcher comes to have Mary Kane sign the papers for her new

As said by Ed Gonzalez in his article about Close-up, the movie “is still definitive film-on-film commentary.” This is proven throughout the movie with the use of shots and editing, and also with how Bazin might react to Abbas Kiarostami’s film. Throughout this course so far, shots and editing have been an integral part of what has been covered. Close-up has a unique approach to how it is directed. Considered a mockumentary, it has all the styles of a documentary with some twists. The close up

There are many different key techniques used for the film making of this movie. These include camera shots, editing, soundscape, locations and settings. The movie features many wide landscape shots with slow pans which show the viewers the type of location and how large the space the scene is set in. Wide camera angles were used to express emotions such as danger like when the boys were on the high bridge; these wide camera angles gave the viewers a sense of how high the boys actually were and how

The film elements montage, subjective camera, and left to right and right to left to portray that Ben feels trapped and does not have a clear vision of what he should do with his life in the film The Graduate. Throughout the film, the director uses a montage to prove that Ben is in a constant routine that he is trapped inside of. A montage is when a series of short shots display a long period of time being passed. An example of when a montage portrays Ben being trapped is during the summer when he