Filmmaking

Filmmaking is an increasingly popular form of creative expression, and with expression comes offensive material. Because of this, films have a long history with governments all around the world. In the United States, this presents a unique issue. One of our government’s attributes that we are most proud of is our right to free speech, granted to us by our first amendment. This means that citizens can say whatever they would like about anything or anyone, including their federal, state, and local

Introduction In this essay tittle I’m going to discuss the paths traditional recognitions between painting, photography and filmmaking blurred the lines and challenged between each other. New times and developments call for a rethinking of the essence of art. Changing not only the relationship of man to the world, but his vision of the artist, the viewer and the work of the whole, there is a need for new methods of communication, new forms of art. In the world of cultural practices have not yet

Auteur Theory Continues to be an Important Part of Filmmaking The auteur theory is an idea or principle, which states that the film is a reflection of a director’s creative personal vision, as if to say the he or she is the primary author (which in French, means “auteur”). This theory first came to be in 1954, by a French film director named Francois Truffaut. The auteur theory’s birth was through the French New Wave, which was a group of new French filmmakers during the 1950’s and 1960’s. In the

Introduction The filmmaking industry is alive and well. Based on international revenues from films, filmmaking is generally a highly profitable trade. In the current age of globalization, the impact of the filmmaking industry has also crossed borders, with Hollywood films influencing the international film industry and local filmmaking industries like China and India also impacting on the Hollywood filmmaking industry. As a result of the reciprocal interest which has emerged on filmmaking in different

The direction of the filmmaking business was forever shifted with the inception of both the Hollywood blacklist and the Paramount decision. In essence the Paramount decision and the HUAC hearings that encompassed the filmmaking realm, studios began changing their organizational structure at alarming rates like never before (Lewis 2004). American culture and the way the film market was constructed and adhered too had to undergo massive changes that affected the box office at alarming rates as well

the three core questions that "frame the essential attributes of cinema" and why are they important to consider in film studies? (6 points) 1) How do movies express meaning? It is important to consider in film studies because the basic tools of filmmaking help organize design of a film, and the filmmakers are able to express a range of meanings. 2) How do viewers understand film? It is important to consider in film studies because viewers understand film by applying different aspects of their

movement known as la Nouvelle Vague. Other films that massively influenced this movement were 400 Blows by François Truffaut and Hiroshima Mon Amour by Alan Resnais. The main focus of the movement was to deviate from the traditional approach of filmmaking which they considered old, boring and formulaic. Jean-Luc Godard’s Breathless is somewhat a

important in the production of a short film. Each scene is brief and gives insight into each stage of the filmmaking process and the processes involved. To ensure the establishment of the film’s messages, each finding is placed into an individual scene with concise and precise information. Through the use of action research the credibility of the film is made apparent, with obvious knowledge of filmmaking being presented. The key findings were made apparent through the use of red text which indicated to

know what to expect. Unlike most of my classmates, I chose this class due to scheduling, rather than a pre-existing interest in and passion for this field. From the first film assignment to the last, I constantly learned new skills pertaining to filmmaking and storytelling. Before this class I did not know what being a filmmaker truly meant, and what all skills they must obtain and utilize to create a visually appealing and captivating film. My initial goal for the class was to make a B or higher

forms of creative filmmaking such as German Expressionism and Soviet montage theory are considered to have a rich definitive film history. These films are remembered as having distinguishable techniques, emphasis on images, rhythmic montage, heavy editing, shadows and mise-en-scene. By examining film history, complications with film archiving, theoretical perspectives and Alfred Hitchcock’s Blackmail. This essay will determine whether the most frequently viewed mode of filmmaking, Hollywood cinema