Fleet Street

Street art and graffiti has grown increasingly popular worldwide in the last few decades. This is because street artists are given the opportunity to showcase their ideas and opinions freely, and do not allow themselves to be limited by regulations of the law or public opinion. Street artists can express the unpopular opinion without worry that they will be punished for it, as these artists often work anonymously. According to Michael DeNotto from St. Mary’s University of Minnesota, street art allows

B.N.E. is an anonymous New York-based street artist. To sum his career and fame up in a nutshell, he is basically “all city, but international all city.” It is very likely that you have passed one of his works in some form, even if you did not recognize or realize it at first. He has left his mark on mailboxes, phone booths, signs, parking meters, street lights, and walls, all around the world, from the US, to Canada, to South America, to Europe, to Asia, to Australia; it is just a lot easier to

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 C. Background on street art and graffiti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 D. Banksy’s cultural significance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 II. Discussion A. Current legal status of street art applied to the walls without the

The homeless youth demographic continues to endure difficult circumstances and encounter a variety of social problems, leading to their increased vulnerability in our communities. The social problems facing homeless youth vary from external and internal barriers. Some notable external barriers are being uninsured for proper health care, not having parental permission and therefore being denied access to services (Esparza, 2009). Along with, dealing with prejudice, lack of respect, and transportation

people, there is only one type of it which is usually not welcomed in countries - ‘Street art’. According to Johan Slogan, ‘Nowadays art’ (2010, 13-14), street art known to us as a “graffiti” is a way of representing feelings by people from lower class who were discriminated or have their own opinions for situation in the world. Street art has been declared as vandalism prohibited in most developed

World’s Busiest Corner between State and Madison Street. This building was designed by Louis Sullivan and Dankmar Adler for the retail firm Schlesinger and Mayer in 1899. Carson, Pirie & Scott Building is quite unusual building compared to other buildings as it continuously developed overtime (Fig 1). Louis Sullivan considered Schlesinger and Mayer’s aspect, giving the new presence and atmosphere to the store among its neighbours along State Street, of the building that lead him to design rounded

the everyday life regardless of city size or laws. By definition, graffiti is any type of writing or drawing scribbled, scratched or sprayed onto a surface in public. Freehanded graffiti has evolved into a premeditated version known as street art. Graffiti and street art allows artists worldwide to express themselves in their entirety. However, these forms of art are considered vandalism because the majority of graffiti is painted on buildings without permission. This causes debate on who owns public

surrounded and moved by art when they enter a museum or visit an art gallery, the art which permeates our everyday lives, street art, is often undermined as “not real art” or simply vandalism. In a context other than a formal art environment, however, street artists are able to use the environment that their work is created in or on to contribute to the larger meaning of their piece. Street art “is a paradigm of hybridity in global visual culture, a post-postmodern genre being defined more by real-time practice

twenty-one off the street and give them skills to handle and improve their situations. Now in today’s time there are Covenant Houses in more than thirty-one sites across six countries. Adopt An Agency What we believe: Our five guiding principles 1. Immediacy – Homeless youth come to Covenant House in crisis. Immediately and without question, we meet their basic human needs – a nourishing meal, a shower, clean clothes, medical attention and a safe place away from the dangers of the street or an abusive

My hand reaches for the door handle. The cold metal sends a shiver down my spine. Two steps and my body is out the door. A gust of wind makes my footing unsteady, without thinking I lunge for the building for support. I need this fresh air, the office was suffocating. A walk on the sidewalk is just the break I need. The stoplight turns red. I turn my head left, then right. The coast is clear. My legs scurry across the road. Safe. The familiar sidewalks lead me past the newspaper, the post office