Flemish Baroque painters

Conservation Study While there were several works of art that I had liked, the artwork and album finally chosen from Noelle Ocon’s album for this particular study was The Armorer’s Shop by David Teniers the Younger and Jan Brueghel the Younger. The goals for the study of this painting were to delve into topics such as subject matter, spectrum bands used to reveal information about the painting, and conservation efforts in general. As such, this study will start with the subject matter and style of

Rogier Van der Weyden was a Flemish painter of the mid-15th century. Rogier was chiefly influenced by his first teacher, Robert Campin. Although details of his early training are sketchy, it is generally accepted that he entered the workshop of Robert Campin, the foremost painter in Tournai and dean of the painters' guild, in 1427 at the age of 27 (http://www.belgium.be). Rogier remained in Campin's studio for five years, becoming an independent master of the guild on August 1, 1432. Van der Weyden

the baroque period, his portrayal of people through portraiture and the work that focuses on depicting religious and mythological paintings such as Daedalus and Icarus, around 1620. As well as exploring his life and influence through portraiture. The artist, Anthony Van Dyck known most notably for his impact within the baroque period, around 1621-72. Was known for his portrayal in religious works as well as his portraits. He was the pupil of Hendrick van Balen, a Flemish baroque

Flemish artist, David Teniers– David Teniers II or David Teniers the younger– was one of the most famous and prominent artist of peasant life in the 17th century. He was born in Antwerp and his works were influenced by his father, David Teniers the Elder, and his father-in-law, Jan Brueghel. In 1632, Teniers became a master of a guild in St. Luke. He was later chosen to preside over the same guild in St. Luke in 1644 (“David Teniers the Younger”). Teniers achieved noble status in 1663 and also successfully

Born in 1564 or 1565 in Brussels, Belgium, Pieter Brueghel the Younger was a Flemish painter best known for being the oldest son of the notable sixteenth-century Netherlandish painter Pieter Brueghel the Elder and Mayken Coecke van Aelstv (Artnet, 2016). Following the passing of both of his parents, Brueghel the Younger and his siblings Marie and Jan went to live with their grandmother Mayken Verhulst, a reputable painter of watercolors. It was her who acquainted Brueghel the Younger to painting.

Born in 1564 or 1565 in Brussels, Belgium, Pieter Brueghel the Younger was a Flemish painter best known for being the oldest son of the famous sixteenth century Netherlandish painter Pieter Brueghel the Elder and Mayken Coecke van Aelstv (Artnet, 2016). Following the passing of both of his parents, Brueghel the Younger and his siblings Marie and Jan went to live with their grandmother Mayken Verhulst, a well-established painter of watercolors. It was her who introduced Brueghel the Younger to painting

in this painting is set on Ariadne and the meeting between her and Bacchus. Not only that but the painting, and all other paintings associated with this myth, focus on the shift from divine perfection to humanity that is found in Renaissance and Baroque artwork. The oil painting made by Jacob Jordaens tells the story of Ariadne, the princess of Crete, being deserted on the Island of Naxos by Theseus, the Athenian prince who she helped escape from her father’s labyrinth. Bacchus, whom is the god

Journal entry week 12 Pieter Bruegel, the Elder. The Hunters in the Snow (January) c. 1565, Oil on panel. Kunsthistorisches Museum, Vienna This week I chose The hunters in the snow. I found that it reminds me of some more recent paintings of northern landscapes depicting the winter months with the colours that are used. This painating is from a series of 6 paintings depicting the months of the year, of which only 5 survive today. It’s neat how there is many little stories or scenes going on throughout

How often do we see things in life that require a double-take, a second glance, a follow-up look, or even multiple subsequent studies? The answer is quite simple: everyday. The things we often look at a second time are often not intellectually worth the look, whether it be an irrational teenager attempting some outrageous skateboarding stunt, a monkey drinking its own urine, or even a two-headed cat, people have stopped spending their second or third glances on things that are meaningful and sensible

The Adoration of Saints Baroque is important in regards of European philosophical art history, generating identifiable and stylistic changes in: painting, sculpture and architecture throughout the periods of the late sixteenth century to the early eighteenth. Dominant particularly in the regions of southern Europe such as: Italy, Spain, Portugal, Austria and southern Germany. Baroque is a stylistic movement that often exaggerated motion to: illustrate drama, tension and grandeur features such as