Fractionating column

fractional distillation makes use of a fractional distillation column which is in between the stillhead and the flask containing the pot residue. Some examples of fractional distillation columns are Vigreux columns and Hempel columns. Vigreux columns are marked by indentations while the Hempel column is often packed with material such as glass beads or stainless steel sponge as well as glass tubing sections. The purpose of such a column is a bit muddled at first however when placed in the context of

distinctive element is the columns, which support an entablature. The Exam Halls columns contain smooth unfluted shafts made from Portland Stone, a highly sought after stone at the time. The column capital is ornate as all classical capitals are. The capital is decorated with acanthus leaves and small volutes. There is also a fleuron in the center of the abacus, which lie atop the column capital. The capitals are also made of Portland stone. The entablature, being held up by the columns, contains three discrete

short empty area that separates the echinus from the annulets. The annulets are comprised of two rings which is a deviation from the ideal Doric structure. Going to the base of the column, there is a torus with ⅓ the number of rings as the canonical Ionic structure and a rounded scotia that rests on the base. Each column is tapered and rests on a square base that then is positioned on a cement block. The four blocks then drop 1/3 into the stereobate and are also raised slightly above the stylobate

Doric, and Corinthian columns and the similarities and differences. The three architectural order by its capital are Doric, Ionic, and Corinthian. Corinthian columns, apart from in their capitals that has the same proportions as in the Ionic order, but the height of the capitals taller than the Ionic capitals that give it a slimmer appearance. In Corinthian style two thirds are added capitals, that gives a slender appearance to the length of the columns. Corinthian columns are composed either of

and Corinthian orders are the three main column styles developed by the ancient Greeks. These column styles still are used in buildings today. Doric is the simplest Greek column. The column is plain, and it has no base. Doric columns often had statues of gods or heroes on top of them. Ionic is taller than the Doric, and its surface has carved lines from top to bottom. The base of an Ionic column looks like a stack of rings, and the capital on top of the column looks like a giant scroll. Corinthian

structure was the stereobate, a solid piece of masonry that acted as the foundation for the structure. The stylobate followed, a base that sat atop the stereobate and acted as support for the columns. The columns, many of which have stood the test of time, varied in style depending on their order. The columns acted as support for the entablature. An entablature was a horizontal structure made up of an architrave, frieze, and cornice. The architrave was the horizontal band that rested atop the capitals

store Structure. Structure is a men's clothing and accessory store. Hanging in the large glass windows of the store are colored posters of handsome men dressed from head to toe in the latest Structure fashions. Structure has adopted the Greek Ionic Column as part of it's building plan. Painted on the front windows of the store are small silhouette images of an idealized Greek temple. The Greek architectural elements that have been used to decorate and symbolize Structure, are in perfect condition.

//Map code //Images corresponding with grid above var WATER = 0; var HOBO = 1; var ISLAND = 2; var HOME = 3; var BOAT = 4; //The size of each square containing each image in pixels var SIZE = 64; //How many rows and columns are present in the grid var ROWS = map.length; var COLUMNS = map[0].length;

In 1884, Catalan architect Antoni Gaudí began work on La Sagrada Família (the Expiratory Church of the Holy Family,) a Catholic cathedral in Barcelona, Spain. What began as a modest Gothic Revival design by fellow architect Francisco de Paula del Villar transformed, under Gaudi’s direction, into a massive monument to Catholicism, Catalonia, and the city of Barcelona. Neither of the Gothic tradition nor Catalan Modernisme, La Sagrada Familia is known for its striking individuality at the turn of the

Description of the Façade of St. Gervais – St. Protais The façade of St. Gervais designed by early 17th century French architect Salomon de Brosse (1571-1626) was built in 1616, with the young king Louis XIII laying the first cornerstone. Different from the Flamboyant Gothic of the interior, the façade is regarded as the French form of the Roman Baroque style, which introduced the completely new classical style to 17th century French architecture. The façade attaching to the existing Flamboyant