Franco Zeffirelli Essay

Franco Zeffirelli's 1990 filmic translation of William Shakespeare's Hamlet is a dramatic telling of the classic story which is as well acted as it is entertaining. Aside from these points, Zeffirelli's (and co-scripter Christopher Devore's) screenplay is an edited, and re-mixed version of the original which has many lines cut, as well as the entire sub plot concerning Fortenbras, completely removed. Franco Zefirelli's private interpretation of Hamlet, although divergent in some ways from Shakespeare's

we read the play Romeo and Juliet by William Shakespeare we have also watched clips of the play from two different films based on the play. The first film by Franco Zeffirelli was made in the year 1968, this film has the old style vibe while the one made by Baz Luhrmann in 1997 has a more modern feeling compared to the one from Zeffirelli. After reading and watching the play we had to choose a specific act and scene from the play, talking about the difference between the play and the two films based

I prefer the Franco Zeffirelli version because it stayed a little more true to the story and it had better acting for when it was made. They were similar and different in a lot of ways. Some ways are for the better, and some not so much. I feel that Franco Zeffirelli’s version of Romeo and Juliet maintained the original setting better than Baz Luhrmann. For Example, in Zeffirelli’s version, Juliet was on a balcony or deck just like the actual play of Romeo and Juliet. He also had Juliet on the balcony

itself was written by William Shakespeare in 1595. Whether it a book or a movie, in all the spin-offs, there are sometimes many difference or just a few. One of the closest interpretations of the play is the movie Romeo and Juliet directed by Franco Zeffirelli in 1968; the extremely popular movie is a close interpretation of the play.

scenes in drama, because the scene reveals Romeo and Juliet’s passionate feelings for each other, despite the two being from conflicting families. Baz Luhrmann and Franco Zeffirelli, directors of two different versions of the film, created dissimilar versions of the balcony scene. Luhrmann directed a modern version of the play, while Zeffirelli took a more traditional route. The two directors had different approaches to the lighting and setting of the balcony scene. In Luhrmann’s version of Romeo and

When examining Kenneth Branagh’s (1996) and Franco Zeffirelli’s (1990) film of Hamlet both directors interpret William Shakespeare’s work quite differently. Both films excel in different aspects demonstrating strengths and weaknesses on either side. Branagh explores Hamlet as a vengeful character somewhat more as Shakespeare had intended. Zeffirelli emphasizes the dialogue in the film using the tone rather than developing the character based on hatred. However despite the films differences they both

The Shakespearean play of ‘Romeo and Juliet’ have been interrelated into two main film versions by the directors, Baz Luhrmann who adapted the 1996 version of Romeo + Juliet while Franco Zeffirelli who directed the 1968 version of the iconic play. Although they use the same original script written by Shakespeare, these two films are very different but both films look at the universal ideas of love and conflict through the setting and plot. The setting of the two films were very contrasting as Luhrmann

Compare and Contrast Essay “William Shakespeare vs Franco Zeffirelli: Who Did it Better?” “The Taming of the Shrew” by William Shakespeare, is a very notorious play that has been rewritten and turned into multiple Hollywood films. One very popular version of the famous play is the movie directed by Mr. Franco Zeffirelli. Although most think that this version is the most accurate representation of the original play, there are still many distinct differences. One of these key differences can

In recreating Shakespeare’s Hamlet onscreen, directors often follow the same script with slight variations; however, Franco Zeffirelli, director of Hamlet (USA, 1990), decided to develop his own twist of the plot by focusing on this concept: “This above all—to thine own self be true” (Shakespeare 1.3.84). By emphasizing the need that the characters had to be true to themselves, it became clear that their downfalls were due to a lack of this observance. Ophelia lived only to fulfill her father’s will

accent the films with their own ideas of how the play should be played out. Franco Zeffirelli and Baz Luhrmann both have exceedingly expressed how their perspective of Romeo and Juliet is. Although the film is of the same story, both magnify the contrasts between the two movies. Both directors have captured the loveliness of each story. Firstly, one contrast between the two stories would be Romeo’s character. In the Zeffirelli version, Romeo is