Franco Zeffirelli Essay

stage or on screen has been the aspiration of many actors. William Shakespeare’s Hamlet has been the focus on various accounts throughout the 20th Century, each actor attempting to bring something unique and unmarked to the focal character. Franco Zeffirelli and Kenneth Branagh, both film directors, introduce varying levels of success on the screen through downright differences in ways of translation and original ideas. Zeffirelli’s much shorter interpretation of the film is able to convey the importance

Today I have just finished watching the movie Romeo and Juliet, and I’d like to give my personal opinion of the movie. The movie has tons of love scenes and fights. The company Paramount Pictures published the movie in 1968. The director was Franco Zeffirelli. The plot of Romeo and Juliet is relatively simple. Romeo goes to a ball, Juliet is there, Romeo see Juliet, and he falls in love. The same night, Juliet falls in love with Romeo. The movie takes place in Verona, Italy. The main characters are

Comparative Analysis Of The Ghost In Two Hamlet Movies The play “Hamlet, Prince of Denmark”, by William Shakespeare being of such a complicated variety of themes, contains many different story lines as well as being very extensive in nature makes it quite a challenge to be produced and acted. On paper, the reader can translate things, as they like. Since Shakespeare is not around to tell us the meaning of every theme or the truth about every nook and cranny about his works. It is up to the

The film Hamlet by William Shakespeare was made by two directors in two different versions which one was Kenneth Branagh and the other Franco Zeffirelli. By watching the four scenes of the play of the two versions, the viewer has come up to the conclusion that Kenneth Branagh’s version best captures the essence of the play in terms of costume design, acting, directing, and cinematography. The directing and cinematography in Act IV, Scene V the Ophelia Madness Scene as well as the acting, costume

Compare Contrast Essay The Franco Zeffirelli (1968) and Baz Luhrmann (1996) films about the Shakespeare play, Romeo and Juliet, were both fairly good movies and I enjoyed watching both of them. While the Baz Luhrmann film was a fresh spin on the classic story, the Franco Zeffirelli film Romeo and Juliet was overall better than the 1996 Baz Luhrmann film Romeo+Juliet. Romeo+Juliet was a good idea in theory but in execution was a big mistake. When they used the language from the play and not updating

The Opening of Baz Luhrman's Film Version of Romeo and Juliet Franco Zeffirelli’s 1969 version of ‘Romeo and Juliet’ was actually filmed on location in Verona and is set in the 15th century, when the story of Romeo and Juliet was meant to happen. Its opening prologue is very plain and simple, there are just two long shots and the voiceovers voice speaks very slowly. The first shot is a long shot of medieval Verona on a misty morning, the camera pans around to the river

In Zeffirelli’s portrayal of Hamlet, there are parts added and subtracted from the play in part to make the movie closer to standard movie length but also to show more of how Hamlet’s mind can work the way it does. There are several other movie adaptations of Hamlet that stay more aligned with the original play, but movies are supposed to make some interpretations of plays because the actors need to try and express their characters’ feelings. Arguably the most realistic interpretation of the original

While reading and watching Romeo and Juliet, I liked the movie the most. Throughout all three different types of Romeo and Juliet we watched and read, they were all different in their own special way; weather some of the characters were different than themselves in the other two types or they didn’t show up at all and they are a big part in the original Romeo and Juliet ect. Really there was no character that was the exact same in all 3 different types of Romeo and Juliet. They were either more talkative

Franco Zefferelli's film Hamlet Franco Zefferelli’s film, Hamlet, adapted from Shakespeare’s text, Mel Gibson’s Hamlet, struts and frets his life in Denmark, convincing almost everyone that he is “mad.” The film bases the question of whether or not Hamlet is actually insane almost solely on Gibson’s acting interpretations, but Zefferelli’s editing choices assist in making the point that Hamlet is not insane, but either in a fog of confusion and anger from his grief, or pretending to be mad

Comparison of Franco Zefferelli’s Romeo and Juliet to The Adaptation by Baz Luhrmann This essay aims to discus the similarities and differences of Shakespeare’s Romeo and Juliet, directed by Franco Zefferelli and Baz Luhrmann. In this essay there will be an outline of the story, a comparison of the techniques used in each film and the affect these techniques have on the viewer. In Fair Verona two families have been feuding for generations, the Capulets and the Montagues