Futurism

Teresa Koh Futurism and Fashion- Final Paper Jessica Glascock 12/09/2015 Futurism and advertising in the 1960s space age Futurism was an artistic and social movement originating from 20th century Italy. The movement ultimately rejected anything that looked to the past for identity. Instead, it glorified speed, technology, youth, and the idea of anything industrial and mass-produced. As the founders of the movement would have it, the movement explored different mediums of art and design, ultimately

publication. This manifesto has been continuously developed since the 1960s and is what many people refer to as Neo futurism today. (Bianco, 2017). This manifesto Written by Antonio Sant’Elia and Marinetti is a verbal or written declaration, declaring inspirations, motives, opinions and views on a particular subject or legislation, which is in this case what we call today Neo futurism. Antonio Sant’Elia was born on the 30th of April in 1888 in Como Italy, during 1912-1913 Sant’Elia began practicing

Googie architecture design was named after a coffee shop, Googie in Las Angeles by John Lautner's. Googie happened after WWII and was a definable style the culture to a liking to. It was American retro-futurism of the 1950’s and 1960’s, this is when America had a lot of money. The style continued for about 25 years. Googie architecture was meant to catch peoples eye as they drove by. Having neon, glass atomic imagery and upswept roofs. The design gets its inspiration from the space age. Alan Hess

modern condition – what is was like to live in an environment that was advancing and developing with incrediable speed . Dynamism became a means for the artists of the time to communicate what has been termed the modern condition. Cubism, Orphism and Futurism share a common language, Dynamism. Dynamism is a mechanism for communicating a sense of change or movement.. Artists also invested their own emotions of what they were experiencing through the use of dynamism. Viewers can understand that there was

Modernist styles, including Cubism, Orphism, and Futurism challenged the practices of traditional representational art. I will argue that modernist styles including Cubism, Orphism and Futurism did challenge the practices of traditional representational art. While some may argue that that the fact that modern styles were concerned with subject gives doubt to how challenging they really were to representational art I oppose this idea entirely. All art is representational in some way. Rather than

Key avant-garde movements, including Suprematism, Constructivism and Futurism, influenced contemporary political graphics of the twentieth century. Particularly focusing on political and propaganda posters of the Soviet Union it is evident they were influenced by avant-garde movements that were developing in neighboring and western countries during the same period. Suprematism, focusing on basic geometric shapes with a limited range of colours is evident in numerous propaganda posters in Russia at

painting for the first time might think it a silly and humorous painting of a “wiener” dog scurrying along on its short legs besides its owner. However, it a great example of the futurist art movement. Just like other modernist art movements before it, Futurism departed from the traditional, but was far more radical. The futurist movement had a manifesto that proceeded the art movement that wanted radical innovation of the Arts. Filippo Tommaso Marinetti, an Italian contemporary poet, stipulated that the

The Purpose of Theatre during the 20th Century Throughout centuries, theatre has been an enormous impact throughout society. During the 18th century, theatre had played a significant role to society because it emphasized "Rationalism" (The Age of Reason), which began to lead away from the limitations of Neoclassicism. Then in the 19th century, theatre was important because it introduced "Melodrama" or music drama to increasingly emphasize the emotions and personalities of the characters

such as cubism, futurism, fauvism, non-objective, and the international style were born. Artists became more creative and inspired by the new age. All three styles rejected the traditional ways of nineteenth century art and entered the new century with unconventional and revolutionary techniques and pieces that have changed the way artists think and create still to this day. Cubism is a style of modern art that was influenced originally by Pablo Picasso in the early twentieth

Goncharova constantly supported Larionov's artistic and aesthetic endeavors. Their names are always mentioned together in the history of Russian art. Like Larionov, Natalia Goncharova had an interest in cubism and futurism, and, in 1906, she was carried away by primitivism (Rogers, para. 1). Goncharova's neo-primitivism is a great contribution to the art of the ealy 20th century. As it was mentioned before, Natalia drew her inspiration from the Russian icon, lubok