Futurist Manifesto

depicted Loy’s clever appropriation of the masculine foundations on Futurism’s principal ideals. Joining the Futurist movement in 1913, Loy quickly encountered the movements conflicting perception of women. Her selective appropriation of Futurism in her prose

1. Introduction The futurist art movement and its characteristic manifestos had a significant impact on ‘modernist’ art movements since the 20th century. Aside from founder Filippo Tommaso Marinetti, who was a poet, many manifestos were written by painters or about visual art: Marinetti’s two founding manifestos were directly followed by three manifestos by Umberto Boccioni, Carlo Carrà, Giacomo Balla, Luigi Russolo, and Gino Severini, all of whom were painters. In 1911, composer Francesco Balilla

In 1909, former symbolist poet Filippo Marinetti published his subversive Manifesto of Futurism. This avant-garde proposal for literary revolution proved highly influential to the world of visual art in Italy. Marinetti’s call for dynamism and movement of both physical and societal nature triggered a movement which stood proudly for vivacity, energy, and disruption, and reflected the state of politics and industry during its time. In his contribution to the advent of a seismic change in Italian art

determined to praise industrialisation. The leader of this group was Filippo Tommaso Marinetti. On February 20th, 1909, the Paris newspaper called ‘Le Figaro’ published Marinetti’s Manifesto. In this Manifesto,

movement in modern art, Futurism was first announced on Feb. 20, 1909, when the Paris newspaper Le Figaro published a manifesto by the Italian poet Filippo Tommaso Marinetti. The name Futurism reflected his emphasis on discarding what he conceived to be the static and irrelevant art of the past and celebrating change, originality, and innovation in culture and society. Marinetti's manifesto glorified the new technology of the automobile and the beauty of its speed, power, and movement. He exalted violence

Filoppo Marinetti (1876-1944) published his Manifesto of Futurism in the Paris Newspaper Le Figaro (20th February 1909) This made futurism a revolutionary movement as all the arts could test their ideas and forms against the new realities of scientific and industrial society. We intend to sing the love of danger, the habit of energy and fearlessness. Courage, audacity and revolt

whole world was abuzz with the feelings of a new future, it was a modern world now and that required modern art. Filippo Tommaso Marinetti understood this and wrote the Futurist Manifesto, the

Marinetti addressed the “death” of traditional art in his Futurist Manifesto of 1909 when he stated “Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed” (2001 21-2). Marinetti, among with artists of the Futurist, Vorticist and Constructivist movements of the 20th century, believed that mechanisation was fundamental to creating a new future

Neo Futurist architecture is a term conventionally used for architecture during the 1910s and 1920s, it originally comes from the written Manifesto of Antonio Sant’Elia and Marinetti’s expansion to Sant’Elias publication. This manifesto has been continuously developed since the 1960s and is what many people refer to as Neo futurism today. (Bianco, 2017). This manifesto Written by Antonio Sant’Elia and Marinetti is a verbal or written declaration, declaring inspirations, motives, opinions and views

pieces of Futurist art work. These pieces include Unique Forms of Continuity in Space by Boccioni, Armored Train in Action by Severini, Funeral of the Anarchist Galli by Carrà. Not only are these pieces the epitome of Futurism, but they also add insight as to how the Futurist movement impacted the political ideology of Fascism. Futurism is not the sole cause of Fascism; rather, the Futurist movement coordinated Fascist ideas and allowed it to grow as a political ideology.