Futurist Manifesto

transcendence” (qtd. in Murphie & Potts). Postmodernism is style of art and architecture of the late 20th century. The futurists were group of modernist. I say this to say, according to Murphie & Potts, “From the point of view technology and art, the most pertinent and the most interesting group of modernists were the futurists, who announced themselves in their founding manifesto of 1909” (43). In addition, Murphie & Potts mention that,

In this essay, I will be discussing the two movements ‘Dada’ and ‘Futurism’, with reference to their conceptual contexts and representative plays, there will also be analysis to how these two movements contrast to realism/ naturalism. Links will also be made to the plays, with the use of scholarly sources to back up the argument and then coming to a final conclusion at the end of the essay. Dada was an artistic and literary movement, this arose as a reaction to World War one. Many citizens believed

Tommaso Marinetti concluded his highly influential Futurist Manifesto with this emphatic line. But for those who have read Friedrich Nietzsche, this may sound familiar. Thus Spake Zarathustra, one of Nietzsche’s most well-known works, opens with an almost identical image, namely, a man at the peak of a mountain shouting his convictions at sun, whom he refers to as “thou exuberant star.”(Zarathustra, 53). During the perid in which Marinetti wrote the Manifesto, Nietzsche’s works were gaining popularity in

Fernand léger was French painter who was profoundly impacted by cutting edge modern engineering and Cubism. He created "machine craftsmanship," a style described by fantastic robotic structures rendered in strong shades. Despite the fact that he manufactured his notoriety for being a Cubist, his style shifted extensively from decade to decade, fluctuating in the middle of figuration and deliberation and indicating impact from an extensive variety of sources. Léger worked in an assortment of media

powerful artists among the Italian Futurists, an art movement that arose in the years before the First World War. Boccioni was educated from 1898 to 1902 in the studio of the painter Giacomo Balla, where he learned to paint in the style of the Pointillists. In 1907, he settled in Milan, where he progressively came under the influence of the poet Filippo Marinetti, who hurled the Futurist movement, which adored the dynamism of modern technology. Boccioni’s first major Futurist painting, Riot in the Gallery

unrelated to the past was brewing. The experimentation of the Futurist movement drastically changed the way typography and design were to be handled from 1909 on. 
 Futurism was founded in 1909 by the Italian poet Filippo Marinetti, originally as a literary movement but quickly expanded to other artistic disciplines. In that same year Marinetti’s Futurist Manifesto, was published in Le Figaro, a major french newspaper. By having the manifesto printed in such a prominent source of media this highlighted

Fine Arts Response to Mechanisation Marinetti addressed the “death” of traditional art in his Futurist Manifesto of 1909 when he stated “Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed” (2001 21-2). Marinetti, among with artists of the Futurist, Vorticist and Constructivist movements of the 20th century, believed that mechanisation was

he initiated the futurist movement with his colourful essay “The Founding Manifesto of Futurism.” Marinetti praised technology as the vast wave of the future, it would sweep aside old traditions and explode in violent powers but he saw technology as something that would capture minds with incredible fascination. Marinetti believed that futurism would put aside myths and promote a new, rational world view. He happily disregards the old world’s traditions as written in his manifesto “We will destroy

On February 20th, 1909, Marinetti published his Futurist Manifesto, which appeared on the front page of Le Figaro - the largest circulation newspaper in France. “We want to sing about the love of danger, about the use of energy and recklessness as a common, daily practice. Courage, boldness and rebellion will be the essential elements of our poetry” – he said, and that is how the Futurism began. As an art movement, Futurism had a main objective like “looking in the future” and rejects past and

brains become too torpid to dare and act. That is because of the neutral tints we wear. And the Futurists hate everything neutral," (Article from the