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It is only when we are very happy, that we can bear to gaz merrily upon the vast and limitless expanse of water, rolling on and on with such persistent, irritating monotony, to the accompaniment of our thoughts, whether grave or gay. When they are gay, the waves echo with gaiety; but when they are sad, then

Unraveling the mystery of the title, the role of the Psychoanalyst and the Philosopher in this paper are played by Sigmund Freud and Michel Foucault respectively. The purpose of this paper is to ex- plain how Foucault's ideas on Objectication of Subject can serve as a tool to critically analyze the foundations of Freudian Psycho- analysis. 2 Philosopher's Objectication of Subject According to Foucault(Dreyfus & Rabinow,1982), he takes a stand that the objective of his works is not to analyze

 SWOT Analysis: Tunisian Energy System First A. Author, Fellow, IEEE, Second B. Author, and Third C. Author, Jr., Member, IEEE Abstract— The development of Renewable Energy (RE) sources and Energy Efficiency (EE) technologies is a central aim of the world energy policy. A several international programs and investments was developed in order to contribute in reducing Greenhouse Gas (GHG). The majority of the Middle East and North Africa (MENA) countries possess substantial potential for the implementation

The short story “The Minister’s Black Veil” by Nathaniel Hawthorne follows the minister Mr. Hooper whose simple change in appearance alters the very nature of his existence in society till his death. While his decision to begin to wear a black veil over his face ostracizes him from society, it also turns him into a more influential clergyman. With the symbolism of the black veil and in a somber tone, Hawthorne makes a statement on the involvement of society in personal matters and the “black veil”

Ellis-Fermor considers that in Tamburlaine, “there is much that is not effective rhetoric.” In this case, Marlowe’s images are not in harmony with the emotions forming the background of the passage and serve rather to illustrate them than to imply any association. There is no harmony between the individual image and its setting. The imagery in Tamburlaine does not lack power, though it is most effective when one rhetorical image leads on to another. Tamburlaine’s description of his triumph in the

REPORT ON FIELD VISIT TO HAZIRA OIL FIELD BY:- JOYDEEP MUKHERJEE ROLL NO:-20081020 PGP-08, IPMG OVERVIEW OF THE INDUSTRIAL TRIP An overview of the Oil and Gas sector was developed as

Introduction Even though Holocaust denial was not a new-fangled phenomenon in Germany at the end of the 1980s, it was not before this period that it was given such public attention. For the duration of the late 1980s and near the beginning of the 1990s Germany became the arena for perhaps the most combined push for promotion that the Holocaust denial interest group has ever tried. Besides the annual conferences of the Society for Historical Review in California, Holocaust deniers did not and by

In Tamburlaine, Marlowe also uses animalistic imagery. Throughout the beginning of Tamburlaine’s rise, rival kings and emperors consistently referred to him and his men in animalistic terminology, for example calling Tamburlaine savage or incivil (p.4), or, doubly implying that he is either deity or beast, noting that he “was never sprung of human race” (p.24), and that his troops “lie in ambush waiting for a prey.” (p.17) The imagery of animalism in reference to Tamburlaine is not only an insult

INTRODUCTION: Le vin est produit et connu depuis l’aube des civilisations (1). Considéré comme une boisson noble, les premières traces de vin pourraient remonter à 8000 ans avant J.C. grâce à la découverte des jarres à vin à cette époque. Probablement originaire du Proche-Orient, ses traces sont trouvées dans les hiéroglyphes égyptiens, les civilisations grecques et romaines réservaient une place très importante pour le vin au point qu’ils lui consacraient des divinités et adoraient ses dieux.

Lucian Freud Freud, Lucian (1922- ). German-born British painter. He was born in Berlin, a grandson of Sigmund Freud, came to England with his parents in 1931, and acquired British nationality in 1939. His earliest love was drawing, and he began to work full time as an artist after being invalided out of the Merchant Navy in 1942. In 1951 his Interior at Paddington (Walker Art Gallery, Liverpool) won a prize at the Festival of Britain, and since then he has built up a formidable reputation