Giorgione

The Italian word paragone refers to a type of competitive comparison in an art-historical context. In 16th century Italy, due to the development of artistic practice and theory, various theoretical discussions were raised among the industry. Renaissance artists and theorists were preoccupied with the means and of various arts in the abstract. A debate was generated from the Italian Renaissance in which form of art (such as painting, sculpture, poetry, music and architecture, etc.) has supremacy on

really wanted to accomplish and in the next years of his career he reaches to become more different than he already was from other painters. This next piece is named The Lucnheon on the Grass and was painted in 1863. The Pastoral Concert painted by Giorgione Titan, in 1509, inspired The Luncheon on the Grass. In Titan’s painting there are five main figures and four of them our in the foreground. Out of the four that are the viewers main focus two are fully clothed males that look deep into conversation

Titian was an Italian painter the most important member of the 16th-century he was known for by his deft use of color and for his appealing renderings of the human form. He painted 118 paintings in his time. They are unsure of when Titians actual date of birth is. He claimed to be born in 1477, but people think 1473 to after 1482, but modern scholars believe the date is near around 1490 is more likely. Titan died August 27th, 1576 from a fever. They think he was around 80 or 90 years old. His parents

The Italian word paragone refers to a type of competitive comparison in an art-historical context. In the 16th century Italy, due to the development of artistic practice and theories, various theoretical discussions were raised among the art industry. Renaissance artists and theorists were preoccupied with the means and of various arts in the abstract. A debate was generated from the Italian Renaissance in which form of art (such as painting, sculpture, poetry, music and architecture, etc.) has supremacy

In comparison with Giorgione and Titian’s influential paintings, Velazquez “replaced the full sensual opulence of the Venetian model with an intensely personal nervous vitality and youthful grace.” Additionally, the Italian artists developed a more voluptuous Venus, whereas

From ancient times to the present, many artists begin their art journey by depicting women. Although women have been excluded from art history for a few centuries, a closer look at what inspired great male artists shows they were still very much involved. For some of history’s most famous artists, the lives of women were not simple ones, they were more than muses or wives; they were partners in love, passion and creativity. As Marie-Therese Walter to Picasso, Frida Kahlo to Diego Rivera. Before the

The Renaissance was a time of economic growth and emphasized Naturalism and Antiquity. Art was highlighted during this time, especially in Italy. The Italian Renaissance artwork was associated with painting and sculpting. Women at this time became the subject of art pieces for male artists. Women were modeled after Mary, Eve, and Venus in artworks. Battista Dossi was one of many artists who incorporated Venus in their paintings. His painting called Venus and Cupid was created in the year 1540 on

Lorenzo Lotto was born in 1480 in Venice, Italy and died in 1557 in Loreto, Marche, Italy. Lotto was an Italian painter from the late Renaissance. Lotto was known for his perceptive portraits and mystical paintings of religious subjects. Lotto represents one of the best examples of the valuable relationship between the Marche schools. Lotto was one of the leading Venetian-trained painters of the earlier 16th century. He mainly painted portraits and religious paintings. Lotto worked mainly outside

Massachusetts. Titian’s piece became the crown jewel of Gardner’s growing museum collection, where today, it sits in the “Titian Room”: a whole room with the main focus on “The Rape of Europa”. The two giants of High Renaissance painting in Venice were Giorgione and Titian. Both men studied with Giovanni Bellini and developed his style of exploring new forms of figural composition, increased the subtleties of texture and lighting, and produced a new language of landscape paintings. Compared to painting

“There is no greater name in Italian art—therefore, no greater in art—than that of Titian,” (Claude Phillips “Earlier Works of Titian”1897 page 5). This artist was more than just a normal painter that played around in his work studio; he was the father of what was bound to become something greater than he even believed. We watched him work with imaginative textures and animated colors to generate the masterpieces of not only the Renaissance; but also of modern day work. All kinds of artists—painters