Greek Drama Essay

In pieces of classical writing, including Euripides’ and Sophokles’ Greek tragedies, as well as the more personal, philosophical writings of Seneca, Cicero, and Plutrach, the consolation of loss is deeply interwoven with myth and drama. The idea of the consolatio focuses on a sense of survival and endurance of grievers, and the role that friends and loved ones play in this survival through comfort. The underlying theme in these tragedies is that the feeling is universal, and in no way experienced

There are certain qualities that a character must posses in order to qualify as a tragic hero. Ideally, the tragic hero is a person of some status, usually king. Although the fact that Antigone was part of the royal lineage, being a descendent of Oedipus, Creon's position of King of Thebes suits a tragic character much more effectively. Also, at the end of the play it is customary for the tragic hero to have lost everything, to be reduced to nothing. At the end of Antigone, Creon had lost his kingdom

Theater has been around since the time of the Ancient Greek. It has been a form of social expression and ideas for years. Theater is sometimes a dramatization of events or ideas to help better connect the viewers with the situation at hand. I think dramas have become so important to society due to the fact that is can be molded into many different types forms of expression. A drama can take you into a fictional land where anything is possible. It brings people thoughts out from just imagination to

The importance of the Greek culture and its inheritance to our civilization is seen in Aristotle’s "Poetics". “Poetics” is considered to be similar to the notes that Aristotle used for lecturing his students. He divides poetry in three main styles: tragedy, epic and comedy- primarily concentrating on tragedy and epic poetry. Even though Aristotle had defined structure and principles of the plays, and poetry using observations done at the Greek theatre thousands of years ago, it is still used by the

Plato perceived the dramas as dangerous, because he felt that they created confusion, miscommunication and ignorance. He also felt that the entire world's evils came from a defective sense of reality and that these dramas promoted that. For example, take a young child who grew up somewhat isolated from the outside world and whose only outlet to our society is through the

Wars. A self-proclaimed modern tragedian, Miller says he looks to the Greeks for inspiration, especially Sophocles (the author of Oedipus the King). Miller elevates “the common man’s failures, his anguish, and his family relationships” to the magnitude of a tragic hero (Galvin). All my Sons is a great example of how Miller uses the six elements described by Aristotle to create modern American tragedies that reflect ancient Greek tragedies like Oedipus the King and Antigone. Plot: Miller chooses

written for the Greek religious festival in the Athens. A contest was held every year for playwrights and was awarded for writing the best drama series. Tragedies and comedy were commonly acted in Greek amphitheater holding up to 40,000 attendees. The actors were normally put on higher platforms to insinuate who was currently acting. The actors even stood on higher shoes (like high heels), wrapped on clay masks, and had built in megaphones in their costumes to amplify their voices. Most Greek actors were

becomes the reason behind of tragedy in these two masterpieces of Ancient Greek drama. So vengeance is the core of these plays because of its major

Theater has prevailed throughout the years, dating back to ancient times and still having importance in society today. Texts of ancient Greek comedy and tragedy have survived for over two thousand years, because a small handful of people thought they were worth preserving. It is a wonder that these plays are still around today, considering how much time has passed and the differences between society today and that of ancient times, also taking into consideration the difference in speech and language

heartlessness of people described offensively. The Chorus in Euripides’s Medea mainly functions as the commentator of drama, as a Chorus in a classical Greek drama would, or the voice of reason that often times sympathizes with Medea. The Chorus, made up of Corinthian women, comments on the drama in light of the morals of the Greek society of the time, such as moderation, which helps the Greek audience in understanding the play and Medea herself. Also, being the voice of reason, the Chorus not only aids