Gregg Toland

Orson Welles’s Citizen Kane (1941) is known as one of the most innovative and highly rated films of all time. Welles and his cinematographer, Gregg Toland, were among the first filmmakers to use deep-focus photography for significant portions of the film rather than using the more classic medium and close up shots. Welles and Toland also used unconventional filming methods, such as “high contrast, unusual camera angles, and the use of shafts of light” (Cagle, Dombrowski and Ramaeker), which created

Citizen Kane was a 1941 American mystery drama film, which was starred, co-authored, produced and directed by Orson Welles. The film was a huge box office success and was nominated for nine Academy Awards. The film is revered as one of the greatest films of all time and is continuously voted atop movie polls. Critics praised Citizen Kane for its cinematography, music, and narrative structure which were innovative for the times. Orson Welles stepped away from the typical Hollywood style to introduce

atmospheric lighting. The presence of lighting and how it is used in Citizen Kane is unique and was influenced greatly by the low camera angles used, but after eliminating the overhead lighting effects afforded by not having a ceiling, Welles and Toland used this absence of light to their advantage. The use of focused light to illuminate the subject of a shot in deep focus still allowed the viewer to pick out whatever he wanted to see, but the director still had control over that focus using lighting

began in 1940. The film directed by Orson Welles in collaboration with Gregg Toland, who was considered to be one of Hollywood’s best cinematographers at the time, soon became one of the hottest movies. According to Twisted Ladder Movies “One of the most widely discussed theories surrounding Citizen Kane is that of cinematic realism. At the center of the film’s realism is deep-focus and long-take cinematography. According to Toland, the deep-focus and long-take styles were developed from Welles’ insistence

Winning best writing and screenplay at the Oscar’s in 1942 the movie Citizen Kane, which challenged the traditional narrative and technical elements of traditional Hollywood. This was achieved by allowing Mr. Orson Welles free rain in production and writing of the film. The writer’s Herman J. Mankiewicz and Orson Welles took a chance at writing a screenplay different from anything else at the time it was made and with that created what some say is the best film of all time. The movie begins with

do) anything to reach his personal aims. A drama brought to the world by renowned writer-turned-producer-turned-director Orson Welles, Citizen Kane (1941) was created by a team of visionaries, including producer George Schaefer, cinematographer Gregg Toland, and composer Bernard Herrmann. Made by no fewer than five screenwriters, Citizen Kane is an iconic film that stands the test of the time. Citizen Kane is the best film of all time as it features a gripping storyline, meaningful lighting and props

The movie Citizen Kane was ahead of its time and challenged what a classic Hollywood movie was defined as. The film begins with the death of Kane, and his final word ‘rosebud’. A reporter sent to interview various people close to Kane to discover what ‘rosebud’ means. The audience is given various perspectives on the life of Kane through these people and the audience is taken along for the ride. All movies out at the time had similar lighting and narrative because of the quick factory like atmosphere

that most directors were utilizing. Deep Focus Citizen Kane used a cutting edge technique called deep focus cinematography. This method of cinematography definitely ahead of its time and was popularized by Orson Welles and his Cinematographer, Gregg Toland. This technique had a tremendous impact on the look and feel of the movie and was accomplished by making the foreground, middle-ground and background all appear in focus in the same scene. One of the ways this was achieved was by implementing

Sad Man Citizen Kane is a movie that can be rewritten and implemented into any film created today. In many ways, the storyline tells us more about ourselves than anything else and it relates to each one of us who has ever wished for a better life. From his flamboyant adventures to the blah blah to his political agenda in his later years. Every film that came after Citizen Kane owes a great deal to Orson Welles because of the way he used special effects, music, and shadows and lighting, which without

With Orsen background in theater production, the lighting he used was also innovative. He used lighting to give the mood for particular scenes as well intensify the actions between the different characters interactions. Toland used different techniques for lighting to give scenes more powerful meaning. When the reporter was in Mr. Thatcher Library, the lighting was vertical light using parallel bars while the reporter was sitting reading Mr. Thatcher notes about Kane (Dick