Gregg Toland

Citizen Kane made cinematic advances on many fronts, and its most significant contribution to cinematography came from the use of a technique known as deep focus. Deep focus refers to having everything in the frame, even the background, in focus at the same time, as opposed to having only the people and things in the foreground in focus. The deep focus technique requires the cinematographer to combine lighting, composition, and type of camera lens to produce the desired effect. With deep focus, a

Orson Welles, Hollywood’s boy genius, brought his innovative approach which has, as Andre Bazin states in Orson Welles: A Critical View: “shaken the edifices of cinematic traditions”. One of the formal characteristics that he is most well known for is the use of long takes. Although the use of long takes was already established in film, as many of the first films had no edits, Welles incorporated long takes effectively in his films to overload scenes with activity adding more dramatic tension. The

Charles Foster Kane from boyhood to newspaper magnate. Along the way, characters try to figure out what life really means and question if the “American Dream” is really all it is cracked up to be. Directed by Orson Welles with cinematography by Gregg Toland, the film won the New York Film Critics Award as best picture, and received nine Academy Award nominations, but won only one for best Screenplay for Welles and Herman J. Mankiewicz (Synthesis: Citizen Kane 439). Is Citizen Kane worth all the hype

In the identified sequence, deep focus is developed in the scene where Mr. Thatcher is about to take young Kane away. The sequence opens with a wide angle mid-shot of Mrs. Kane (Agnes Moorehead), Mr. Kane (Harry Shannon), Mr. Thatcher (George Coulouris) and Charles (Buddy Swan) standing outside of the boarding house. The positioning of the characters in this scene is very deliberate: Charles is in the middle as he is at the centre of this discussion, while his mother and Mr. Thatcher are positioned

way movies are made because it became the starting point for many filmmakers first learning about how films are made and how a director can give a film a particular style. The editing (by Robert Wise) was as innovative as the cinematography by Gregg Toland - add these two talents to the talent of director Orson Welles not knowing how to direct properly and you have stylistic flourishes and a film that still impresses today. It didn't immediately change how movies were made citizen Kane was actually

its roots of conception seemingly at different times in the film industry depending upon those who argue that certain films that engaged in the use of this type of filming. It wasn't though until the collaboration of director Orson Wells and DOP Gregg Toland in the film Citizen Kane 1941 that deep focus cinematography was brought to public attention and given notability by various publications and brought an unusual acknowledgement of the cinematographer within the film industry at the time. Aesthetically

Film History & Research Citizen Kane Film Essay Orson Welles' Citizen Kane Success the first time around is very uncommon. Orson Welles's first feature film richly realizes the full potential of excellent craftsmanship. Citizen Kane is almost indisputably the greatest achievement in the history of filming. In 1941, this film was considered by many as the best film ever made. This film is about the enormous conflict between two twentieth-century icons

Citizen Kane incorporates a well-rounded variety of shots and angles that make the film more entertaining. This movie is significant because the American people will always be able to relate to it. There will always be a rich politician who wants to change things for the better. Sometimes, scandal and broken promises ensue. The American people will always want someone that they can trust to make their lives better. It is interesting to note that this film combines multiple genres, giving it a factor

In Vincent O’Sullivan’s Finding the Pattern, Solving the Problem: Katherine Mansfield The New Zealand European, it is noted that Katherine Mansfield ‘was an enthusiast for the cinema’, that ‘she acted in several movies’ and that ‘her letters frequently took up such images as the months that “stream by like a movie picture”’(18). Furthermore, her short story At the Bay begins with the line ‘Very early morning’(Mansfield 5), that when interpreted from a literary standpoint, is more suited to a screenplay

Citizen Kane Research Paper When discussing the greatest films of all time, Citizen Kane, directed by Orson Welles, usually comes up. It’s influence in American cinema can still be felt today, but at the time the film was not released without controversy. The main character in the movie, Charles Foster Kane, is undeniably based of the real life figure of William Randolph Hearst, a famous American newspaper publisher. Hearst was very aware of this fact and tried to hinder the success of Welles’